.
Guillaume Monod, Paris, Commander Paul Meiller, and a medallion portrait
of Pere Hyacinthe, etc.

<b>ARGYLL, HER ROYAL HIGHNESS, THE PRINCESS LOUISE, DUCHESS OF.</b> This
artist has exhibited her work since, 1868. Although her sketches in
water-color are clever and attractive, it is as a sculptor that her best
work has been done. Pupil of Sir J. E. Boehne, R.A., her unusual natural
talent was carefully developed under his advice, and her unflagging
industry and devotion to her work have enabled her to rival sculptors who
live by their art.

Her busts and lesser subjects are refined and delicate, while possessing
a certain individuality which this lady is known to exercise in her
direction of the assistant she is forced to employ. Her chief attainment,
the large seated figure of Queen Victoria in Kensington Gardens, is a
work of which she may well be proud.

Of this statue Mr. M. H. Spielmann writes: "The setting up of the figure,
the arrangement of the drapery, the modelling, the design of the
pedestal--all the parts, in fact--are such that the statue must be added
to the short list of those which are genuine embellishments to the city
of London."

The Duchess of Argyll has been commissioned to design a statue of heroic
size, to be executed in bronze and placed in Westminster Abbey, to
commemorate the colonial troops who gave up their lives in South Africa
in the Boer war.

<b>ARNOLD, ANNIE R. MERRYLEES.</b> Born at Birkenhead. A Scotch miniature
painter. Studied in Edinburgh, first in the School of Art, under Mr.
Hodder, and later in the life class of Robert Macgregor; afterward in
Paris under Benjamin-Constant.

Mrs. Arnold writes me that she thinks it important for miniature painters
to do work in a more realistic medium occasionally, and something of a
bolder character than can be done in their specialty. She never studied
miniature painting, but took it up at the request of a patroness who,
before the present fashion for this art had come about, complained that
she could find no one who painted miniatures. This lady gave the artist a
number of the _Girls' Own Journal,_ containing directions for miniature
painting, after which Mrs. Arnold began to work in this specialty. She
has painted a miniature of Lady Evelyn Cavendish, owned by the Marquis of
Lansdowne; others of the Earl and Countess of Mar and Kellie, the first
of which belongs to the Royal Scottish Academy; one of Lady Helen
Vincent, one of