in 1875 a bust, which attracted much attention. In 1876 she
exhibited "After the Tempest," the subject taken from the story of a poor
woman who, having buried two sons, saw the body of her last boy washed
ashore after a storm. This work was marvellously effective, and a great
future as a sculptress was foretold for the "divine Sara." At the Salon
of 1878 she exhibited two portrait busts in bronze.
This remarkable woman is a painter also, and exhibited a picture called
"La jeune Fille et la Mort." One critic wrote of it: "Sarah's picture
shows very considerable feeling for color and more thought than the vast
majority of modern paintings. The envious and evil speakers, who always
want to say nasty things, pretend to trace in the picture very frequent
touches of Alfred Stevens, who has been Sarah's master in painting, as
Mathieu-Meusnier was in sculpture. However that may be, Sarah has posed
her figures admirably and her coloring is excellent. It is worthy of
notice that, being as yet a comparative beginner, she has not attempted
to give any expression to the features of the young girl over whose
shoulder Death is peeping."
One of the numerous ephemeral journals which the young and old jeunesse
of the Latin Quarter is constantly creating has made a very clever
caricature of the picture in a sort of Pompeian style. Death is
represented by the grinning figure of Coquelin aine. The legend is "'La
Jeune Fille et la Mort,' or Coquelin aine, presenting Sarah Bernhardt the
bill of costs of her fugue." In other words, Coquelin is Death, handing
to Sarah the undertaker's bill--300,000 francs--for her civil burial at
the Comedie Francaise.
BETHUNE, LOUISE. This architect, whose maiden name was Blanchard,
was born in Waterloo, New York, 1856. She studied drawing and
architecture, and in 1881 opened an office, being the first woman
architect in the United States. Since her marriage to Robert A. Bethune
they have practised their art together. Mrs. Bethune is the only woman
holding a fellowship in the American Institute of Architects.
[_No reply to circular_.]
BEVERIDGE, KUeHNE. Honorable mention in Paris twice. Born in
Springfield, Illinois. Studied under William R. O'Donovan in New York,
and under Rodin in Paris.
Among her works are a statue called "Rhodesia," "Rough Rider Monument," a
statue called "Lascire," which belongs to Dr. Jameson, busts of Cecil
Rhodes, King Edward VII., Grover Cleveland, Vi
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