character in each figure, each is a
superb study."

Her recent picture, "Within Sound of the Guns," shows a company of
mounted soldiers on the confines of a river in South Africa.

[_No reply to circular_.]

<b>CAMERON, KATHERINE.</b> Member of the Royal Scottish Society of Painters
in Water-Colors; Modern Sketch Club, London; Ladies' Art Club, Glasgow.
Born in Glasgow. Studied at Glasgow School of Art under Professor
Newbery, and at the Colarossi Academy, Paris, under Raphael Collin and
Gustave Courtois.

Her pictures are of genre subjects principally, and are in private
collections. "'The Sea Urchin,'" Miss Cameron writes, "is in one of the
public collections of Germany. I cannot remember which." She also says:
"Except for my diploma R. S. W. and having my drawings sometimes in
places of honor, usually on the line, and often reproduced in magazines,
I have no other honors. I have no medals."

In the _Magazine of Art_, June, 1903, her picture of a "Bull Fight in
Madrid" is reproduced. It is full of action and true to the life of these
horrors as I have seen them in Madrid. Doubtless the color is brilliant,
as the costumes of the toreadors are always so, and there are two in this
picture. This work was displayed at the exhibition of the Royal Scottish
Academy, June, 1903--of which a writer says: "A feeling for color has
always been predominant in the Scottish school, and it is here
conspicuously displayed, together with a method of handling, be it in the
domain of figure or landscape, which is personal to the artist and not a
mere academic tradition."

In the _Studio_ of May, 1903, J. L. C., who writes of the same
exhibition, calls this picture "admirable in both action and color."

<b>CARL, KATE A.</b> Honorable mention, Paris Salon, 1890; Chevalier of the
Legion of Honor, 1896; honorable mention, Paris Exposition, 1900. Associe
de la Societe Nationale des Beaux-Arts. Born in New Orleans. Pupil of
Julian Academy and of Courtois in Paris.

This artist's name has been made prominent by the fact of her being
selected to paint a portrait of the Empress of China. Miss Carl has
frequently exhibited at the Salon. In 1902 she sent portraits in both oil
and water-colors. One of these works, called "Angelina," impresses one as
a faithful portrait of a model. She is seated and gracefully posed--the
face is in a full front view, the figure turned a little to one side and
nude to the waist, the hands are folded on