Curious Man
A Herald
A Virtuoso
An Intelligencer
A Quibbler
A Time-Server
A Prater
A Disputant
A Projector
A Complimenter
A Cheat
A Tedious Man
A Pretender
A Newsmonger
A Modern Critic
A Busy Man
A Pedant
A Hunter
An Affected Man
A Medicine-Taker
The Miser
A Swearer
The Luxurious
An Ungrateful Man
A Squire of Dames
An Hypocrite
An Opinionater
A Choleric Man
A Superstitious Man
A Droll
The Obstinate Man
A Zealot
The Overdoer
The Rash Man
The Affected or Formal
A Flatterer
A Prodigal
The Inconstant
A Glutton
A Ribald
A Modern Politician
A Modern Statesman
A Duke of Bucks
A Fantastic
An Haranguer
A Ranter
An Amorist
An Astrologer
A Lawyer
An Epigrammatist
A Fanatic
A Proselyte
A Clown
A Wooer
An Impudent Man
An Imitator
A Sot
A Juggler
A Romance-Writer
A Libeller
A Factious Member
A Play-Writer
A Mountebank
A Wittol
A Litigious Man
A Humourist
A Leader of a Faction
A Debauched Man
The Seditious Man
The Rude Man
A Rabble
A Knight of the Post
An Undeserving Favourite
A Malicious Man
A Knave
CHARACTER WRITING AFTER THE SEVENTEENTH CENTURY.
WILLIAM WORDSWORTH
Character of the Happy Warrior
CHARACTER WRITINGS
OF THE
SEVENTEENTH CENTURY.
_Character writing, as a distinct form of Literature, had its origin
more than two thousand years ago in the [Greek: aethichoi
Chadaaedes]---Ethic Characters--of Tyrtamus of Lesbos, a disciple of
Plato, who gave him for his eloquence the name of Divine
Speaker--Theophrastus. Aristotle left him his library and all his MSS.,
and named him his successor in the schools of the Lyceum. Nicomachus,
the son of Aristotle, was among his pupils. He followed in the steps of
Aristotle. Diogenes Laertius ascribed to Theophrastus two hundred and
twenty books. He founded, by a History of Plants, the science of Botany;
and he is now best known by the little contribution to Moral Philosophy,
in which he gave twenty-eight short chapters to concise description of
twenty-eight differing qualities in men. The description in each chapter
was not of a man, but of a quality. The method of Theophrastus, as
Casaubon said, was between the philosophical and the poetical. He
described a quality, but he described it by personification, and his aim
was the amending of men's manners. The twenty-eight ch
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