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follows the pope that he forsakes Christ in not giving Caesar his due. His vows seem heavenly, but in meddling with state business he seems to mix heaven and earth together. His best elements are confession and penance: by the first he finds out men's inclinations, and by the latter heaps wealth to his seminary. He sprang from Ignatius Loyola, a Spanish soldier; and though he were found out long since the invention of the cannon, 'tis thought he hath not done less mischief. He is a half-key to open princes' cabinets and pry in their councils; and where the pope's excommunication thunders, he holds it no more sin the decrowning of kings than our Puritans do the suppression of bishops. His order is full of irregularity and disobedience, ambitious above all measure; for of late days, in Portugal and the Indies, he rejected the name of Jesuit, and would be called disciple. In Rome and other countries that give him freedom, he wears a mask upon his heart; in England he shifts it, and puts it upon his face. No place in our climate holds him so securely as a lady's chamber; the modesty of the pursuivant hath only forborne the bed, and so missed him. There is no disease in Christendom that may so properly be called the King's evil. To conclude, would you know him beyond sea? In his seminary he's a fox, but in the inquisition a lion rampant. AN EXCELLENT ACTOR. Whatsoever is commendable to the grave orator is most exquisitely perfect in him, for by a full and significant action of body he charms our attention. Sit in a full theatre and you will think you see so many lines drawn from the circumference of so many ears, while the actor is the centre. He doth not strive to make nature monstrous; she is often seen in the same scene with him, but neither on stilts nor crutches; and for his voice, 'tis not lower than the prompter, nor louder than the foil or target. By his action he fortifies moral precepts with examples, for what we see him personate we think truly done before us: a man of a deep thought might apprehend the ghost of our ancient heroes walked again, and take him at several times for many of them. He is much affected to painting, and 'tis a question whether that make him an excellent player, or his playing an exquisite painter. He adds grace to the poet's labours, for what in the poet is but ditty, in him is both ditty and music. He entertains us in the best leisure of our life--that is, between meals; the most u
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