follows the pope that he forsakes Christ
in not giving Caesar his due. His vows seem heavenly, but in meddling
with state business he seems to mix heaven and earth together. His best
elements are confession and penance: by the first he finds out men's
inclinations, and by the latter heaps wealth to his seminary. He sprang
from Ignatius Loyola, a Spanish soldier; and though he were found out
long since the invention of the cannon, 'tis thought he hath not done
less mischief. He is a half-key to open princes' cabinets and pry in
their councils; and where the pope's excommunication thunders, he holds
it no more sin the decrowning of kings than our Puritans do the
suppression of bishops. His order is full of irregularity and
disobedience, ambitious above all measure; for of late days, in Portugal
and the Indies, he rejected the name of Jesuit, and would be called
disciple. In Rome and other countries that give him freedom, he wears a
mask upon his heart; in England he shifts it, and puts it upon his face.
No place in our climate holds him so securely as a lady's chamber; the
modesty of the pursuivant hath only forborne the bed, and so missed him.
There is no disease in Christendom that may so properly be called the
King's evil. To conclude, would you know him beyond sea? In his seminary
he's a fox, but in the inquisition a lion rampant.
AN EXCELLENT ACTOR.
Whatsoever is commendable to the grave orator is most exquisitely
perfect in him, for by a full and significant action of body he charms
our attention. Sit in a full theatre and you will think you see so many
lines drawn from the circumference of so many ears, while the actor is
the centre. He doth not strive to make nature monstrous; she is often
seen in the same scene with him, but neither on stilts nor crutches; and
for his voice, 'tis not lower than the prompter, nor louder than the
foil or target. By his action he fortifies moral precepts with examples,
for what we see him personate we think truly done before us: a man of a
deep thought might apprehend the ghost of our ancient heroes walked
again, and take him at several times for many of them. He is much
affected to painting, and 'tis a question whether that make him an
excellent player, or his playing an exquisite painter. He adds grace to
the poet's labours, for what in the poet is but ditty, in him is both
ditty and music. He entertains us in the best leisure of our life--that
is, between meals; the most u
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