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of those she had to deal with, and no natural timidity to restrain any consequent wishes, she was soon welcome and useful to all; and after Fanny's removal succeeded so naturally to her influence over the hourly comfort of her aunt, as gradually to become, perhaps, the most beloved of the two. In _her_ usefulness, in Fanny's excellence, in William's continued good conduct and rising fame, and in the general well-doing and success of the other members of the family, all assisting to advance each other, and doing credit to his countenance and aid, Sir Thomas saw repeated, and for ever repeated, reason to rejoice in what he had done for them all, and acknowledge the advantages of early hardship and discipline, and the consciousness of being born to struggle and endure. With so much true merit and true love, and no want of fortune and friends, the happiness of the married cousins must appear as secure as earthly happiness can be. Equally formed for domestic life, and attached to country pleasures, their home was the home of affection and comfort; and to complete the picture of good, the acquisition of Mansfield living, by the death of Dr. Grant, occurred just after they had been married long enough to begin to want an increase of income, and feel their distance from the paternal abode an inconvenience. On that event they removed to Mansfield; and the Parsonage there, which, under each of its two former owners, Fanny had never been able to approach but with some painful sensation of restraint or alarm, soon grew as dear to her heart, and as thoroughly perfect in her eyes, as everything else within the view and patronage of Mansfield Park had long been. THE END End of the Project Gutenberg EBook of Mansfield Park, by Jane Austen *** END OF THIS PROJECT GUTENBERG EBOOK MANSFIELD PARK *** ***** This file should be named 141.txt or 141.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/4/141/ Produced by An Anonymous Volunteer Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply
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