FREE BOOKS

Author's List




PREV.   NEXT  
|<   557   558   559   560   561   562   563   564   565   566   567   568   569   570   571   572   573   574   575   576   577   578   579   580   581  
582   583   584   585   586   587   588   589   590   591   592   593   594   595   596   597   598   599   600   601   602   603   604   605   606   >>   >|  
e represented. The spectators, at Athens, were a very mixed assemblage and included the populace, "who remained populace in spite of any beautiful verses which they might chance to hear." They cared only to be amused, "just like modern audiences."[1998] +619. Dramatic taste and usage in worship. Customs derived from the mysteries.+ About the time of Christ, by syncretism all the religions took on a dramatic form in their ritual, with liturgies and responses, on account of the attractiveness of that form for worshipers. The Christian year was built up as a drama of the life of Christ. The ceremony of the mass was produced by an application of modes of worship which, so far as we can learn, were devised and used in the mysteries. "There is unmistakable evidence that a marriage ceremony of a religious nature existed, and that this ceremony stood in close relation to a part of the ritual of the mysteries. In fact, the marriage was, as it were, a reproduction by the bride and bridegroom of a scene from the divine life, i.e. from the mystic drama. The formula, 'I escaped evil: I found better,' was repeated by the celebrant who was initiated in the Phrygian mysteries; and the same formula was pronounced as part of the Athenian marriage ceremony. Another formula, 'I have drunk from the _kymbalon_,' was pronounced by the initiated; and drinking from the same cup has been proved to have formed part of a ceremony performed in the temple by the betrothed pair." "It is an extremely important fact that the human marriage ceremony was thus celebrated by forms taken from the mysteries; and the conclusion must be that the human pair repeat the action in the way in which the god and goddess first performed and consecrated it, and that, in fact, they play the parts of the god and goddess in the sacred drama. This single example is, as we may be sure, typical of a whole series of actions."[1999] +620. The word "god."+ "That man when he dies becomes a god was considered already in the fourth century B.C. to be part of the teaching conveyed in the mysteries."[2000] This meant no more than the earlier notion that when a man died he became a ghost. The word "god" was used in senses very strange to our ears,[2001] and to quote an expression of any writer of the beginning of the Christian era in which he uses the word "god," and to give to that word our sense of it, is to be led into great error. The age was one which put all its religion in d
PREV.   NEXT  
|<   557   558   559   560   561   562   563   564   565   566   567   568   569   570   571   572   573   574   575   576   577   578   579   580   581  
582   583   584   585   586   587   588   589   590   591   592   593   594   595   596   597   598   599   600   601   602   603   604   605   606   >>   >|  



Top keywords:

mysteries

 

ceremony

 

marriage

 
formula
 

ritual

 

goddess

 

Christ

 
worship
 
Christian
 

pronounced


populace

 

performed

 

initiated

 

single

 

typical

 
repeat
 

extremely

 

important

 

betrothed

 

temple


proved

 

formed

 

celebrated

 

consecrated

 
action
 

conclusion

 

sacred

 
writer
 
beginning
 

expression


senses
 

strange

 

religion

 

considered

 

fourth

 

century

 
actions
 

earlier

 

notion

 
teaching

conveyed

 

series

 

bridegroom

 
Customs
 

derived

 

Dramatic

 

syncretism

 

religions

 

responses

 
account