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ent by a single hearty and kindly feeling; that the one spirit of God was given without respect of persons; that the beautiful things were beautiful alike to the coal- heaver and the parson; and that before the wondrous works of God and of God's inspired genius, the rich and the poor might meet together, and feel that whatever the coat or the creed may be, "A man's a man for a' that," and one Lord the maker of them all. For, believe me, my friends, rich and poor--and I beseech you to think deeply over this great truth--that men will never be joined in true brotherhood by mere plans to give them a self-interest in common, as the Socialists have tried to do. No: to feel _for_ each other, they must first feel _with_ each other. To have their sympathies in common, they must have not one object of gain, but an object of admiration in common; to know that they are brothers, they must feel that they have one Father; and one way to feel that they have one common Father, is to see each other wondering, side by side, at His glorious works! Footnotes: {80a} H.M.S. the Duke of Wellington. {80b} Form of prayer to be used at sea. {199} This was written and sent out to the army before Sebastopol in the winter of 1855. {222} Prescott's "History of the Conquest of Mexico." See Book v., ch. 1. {230} Mr. Kingsley wrote these papers for London working-men, but his words apply just as much to soldiers in London barracks, as to artizans. He thought much of the good of pictures, and all beautiful things for hard-worked men who could see such things in public galleries, though they could not afford to have them in their own homes. {243} Since this paper was written in 1848 many such institutions have been opened, at South Kensington, and in several great towns. ***END OF THE PROJECT GUTENBERG EBOOK TRUE WORDS FOR BRAVE MEN*** ******* This file should be named 20138.txt or 20138.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/2/0/1/3/20138 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part
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