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e could sit where he could find a perch." Consider that the summer day has ended and that you are tired with its rush and heat. Up you must climb to your house-roof. On the rim of the sky is the blurred light from the steel furnaces at the city's edge and, paneling this, stands a line of poplars stirring and sounding in the night wind. Alone upon the house-top to the North I turn and watch the lightnings in the sky. Is it fanciful to think that into the mind comes a little of the beauty of the older world when roofs were flat and men meditated under the stars and saw visions in the night? Once upon a time I crossed the city of Nuremberg after dark; the market cleared of all traces of its morning sale, the "Schoener Brunnen" at its edge, the narrow defile leading to the citadel, the climb at the top. And then I came to an open parade above the town--"except the Schlosskirche Weathercock no biped stands so high." The night had swept away all details of buildings. Nuremberg lay below like a dark etching, the centuries folded and creased in its obscurities. Then from some gaunt tower came a peal of bells, the hour maybe, and then an answering peal. "Thus stands the night," they said; "thus stand the stars." I was in the presence of Time and its black wings were brushing past me. What star was in the ascendant, I knew not. And yet in me I felt a throb that came by blind, circuitous ways from some far-off Chaldean temple, seven-storied in the night. In me was the blood of the star-gazer, my emotions recalling the rejected beliefs, the signs and wonders of the heavens. The waves of old thought had but lately receded from the world; and I, but a chink and hollow on the beach, had caught my drop of the ebbing ocean. ***END OF THE PROJECT GUTENBERG EBOOK JOURNEYS TO BAGDAD*** ******* This file should be named 20095.txt or 20095.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/2/0/0/9/20095 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project G
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