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ost." The invalid was silent, exhausted by such an effort; she relapsed into that lethargy which for her took the place of rest. Renovales, after this conversation, felt his vile inferiority beside his wife. She knew everything and forgave him. She had followed the course of his love, letter by letter, look by look, seeing in his smiles the memory of his faithlessness. And she was silent! She was dying without a protest! And he did not fall at her feet to beg her forgiveness! And he remained unmoved, without a tear, without a sigh! He was afraid to stay alone with her. Milita came back to stay at the house to care for her mother. The master took refuge in his studio; he wanted to forget in work the body that was dying under the same roof. But in vain he poured colors on his palette and took up brushes and prepared canvases. He did nothing but daub; he could make no progress, as if he had forgotten his art. He kept turning his head anxiously, thinking that Josephina was going to enter suddenly, to continue that interview in which she had laid bare the greatness of her soul and the baseness of his own. He felt forced to return to her apartments, to go on tiptoe to the door of the chamber, in order to be sure that she was there. Her emaciation was frightful; it had no limits. When it seemed that it must stop, it still surprised them with new shrinking, as if after the disappearance of her flesh, her poor skeleton was melting away. Sometimes she was tormented with delirium, and her daughter, holding back her tears, approved of the extravagant trips she planned, of her proposals to go far away to live with Milita in a garden, where they would find no men; where there were no painters--no painters. She lived about two weeks. Renovales, with cruel selfishness, was anxious to rest, complaining of this abnormal existence. If she must die, why did she not end it as soon as possible, and restore the whole house to tranquillity! The end came one afternoon when the master, lying on a couch in his studio, was re-reading the tender complaints of a scented little letter. So long since she had seen him! How was the patient getting on? She knew that his duty was there; people would talk if he came to see her. But this separation was hard! He did not have a chance to finish it. Milita came into the studio, in her eyes that expression of horror and fright, which the presence of death, the touch of his passage, always inspi
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