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arms and mighty ambitions in their minds. He smiled at the thought of the unpleasantness and disgust he had suffered under that roof, when the turbulent throng of artists crowded around him, annoyed him, admiring him more because of his position as an influential judge than because of his works. It was he who awarded the prizes in the opinion of those young fellows who followed him with looks of fear and hope. On the afternoon when the prizes were awarded, groups rushed out to meet him in the portico at the news of his arrival; they greeted him with extravagant demonstrations of respect. Some walked in front of him, talking loudly. "Who? Renovales? The greatest painter in the world. Next to Velasquez." And at the end of the afternoon, when the two sheets of paper were placed on the columns of the rotunda, with the lists of winners, the master prudently slipped out to avoid the final explosion. The childish soul that every artist has within him burst out frankly at the announcement. False pretences were over; every man showed his true nature. Some hid between the statues, dejected and ashamed, with their fists in their eyes, weeping at the thought of the return to their distant home, of the long misery they had suffered with no other hope than that which had just vanished. Others stood straight as roosters, their ears red, their lips pale, looking toward the entrance of the palace with flaming eyes, as if they wanted to see from there a certain pretentious house with a Greek facade and a gold inscription. "The fossil! It is a shame that the fortunes of the younger men, who really amount to something, are entrusted to an old fogey who has run out, a 'four-flusher' who will never leave anything worth while behind him!" Oh, from those moments had arisen all the annoyances of his artistic activity. Every time that he heard of an unjust censure, a brutal denial of his ability, a merciless attack in some obscure paper, he remembered the rotunda of the Exhibition, that stormy crowd of painters around the bits of paper which contained their sentences. He thought with wonder and sympathy of the blindness of those youths who cursed life because of a failure, and were capable of giving their health, their vigor, in exchange for the sorry glory of a picture, less lasting even than the frail canvas. Every medal was a rung on the ladder; they measured the importance of these awards, giving them a meaning like that of a soldier's stripe
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