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the innermost sanctuary pleasure disappears; it has no longer any meaning, it becomes void before the new consciousness. The supreme ecstasy of great love proves that the summit of human emotion is beyond pleasure and pain, and does not acknowledge the limitations of bodily existence. Thus, of necessity, the rapture of love must engender the idea of its own eternity, the destruction of individual consciousness. I will quote in this connection a few verses by Erika Rheinsch: To open now my lips were vain indeed, Nor word nor even kiss could e'er confess What sighs and joy and grief and happiness Would flash from me to you with lightning speed. Nor hope nor pray'r can still the soul's desire, For God Himself can never join us twain; My bitter tears fall on my heart like rain And cannot quench its all-consuming fire. Oh! Now to break the spell--the storm to breast With broken heart and life-blood ebbing fast, Bearing the pangs of death for you, at last, Dark troubled love--at last thou wert at rest! We perceive that love can no longer content itself with the penultimate--it must dare the last heroic step which creates beyond body and soul something new and final, for "God Himself can never join us twain." The love-death is the last and inevitable conclusion of reciprocal love which knows of no value but itself, and is resolved to face eternity, so that no alien influence shall reach it. The two powers, love and death, tower above human life fatefully and mysteriously; an isolated experience cannot appease them, they involve the whole existence. To the individual who loves with an all-absorbing love, and to the individual on the point of death, everything dwindles into insignificance. Before the majesty of the love-death life breaks down, to be laid hold of and transcended in a new (divined) sphere. The thought of the love-death, the will that the world should be governed by love, is the most unconditional postulate of feeling ever laid down. For the love-death is the definite and irrevocable victory of emotion; it is ecstasy as a solution of the world-problem and the world-process. It is human to regard love and death as antitheses; to consider them far removed from each other; marriage and funeral are the poles of social life. The ecstasy of the love-death, however, owing to its all-transcending claim, unites the two poles. The climax of life shall
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