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was realised in the spiritual love of woman, pleasure could not appear otherwise than degraded, sinful and diabolical. In this respect, also, woman submitted without a murmur to the dictates of male will. Mary and the devil became more and more the real hostile powers of the thirteenth century; the classical time of woman-worship was also the climax of the fear of the devil and witchcraft. The Dominican monks who, above all other orders, contributed to the spread of the cult of Mary, proceeded, soon after the establishment of the Inquisition, against the witches, the enemies of Mary. In the second half of the thirteenth century the persecution of heresy gradually gave way to the persecution of witchcraft. I will not go into these well-known details, for the psychical position is clear enough: to the man whose heart is filled with the love of good and the spiritual love of woman, sensuousness will appear as dangerous and perilous, and will have at the same time the glamour of the demoniacally-sexual. It is the diabolical element of dualistic consciousness in the sphere of eroticism. Many people of the present day will not be able to understand this feeling, for it pre-supposes a completely inharmonious emotional life. The consciousness of the obscene is allied to the conception of the demoniacal; it accompanies modern synthetic love as its temptation and its shadow. In personal love sensuality and soul are no longer independent, contrasted principles; personality, taking the spiritual as its foundation, includes the sensuous. In this highest stage all eroticism not hallowed by mutual affection is felt as unpardonable. The purely sexual principle continues to exist, but whenever it appears in its impersonal and brutal crudity as an element hostile to personality, it creates the consciousness of the obscene. The obscene is, therefore, the purely sexual, not in its naive normality, but as a force inimical to a value, as a rule to the value of personality. The obscene expresses scorn and hatred for personal love. It is the seduction of the primitive which is no longer something _earlier_, but something baser (for every age must gauge all things by its own standard). The aesthetic principle--in this connection the sense of the beauty of the human form--so powerful an element in naive sensuality as well as in every other form of eroticism, is excluded, because in this particular condition the beauty of the human body is
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