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oint (and it has been suggested to me that such an explanation will suit his last words); but, in any case, he was of the greatest possible comfort to us who knew him, because he was an instance (the only one) of a man who had arrived at his principles from a purely intellectual basis. And let me, finally, correct the impression, if I have by chance, in developing this latter point, given any colour to the idea that his character was hard, logical, unaffectionate, unloving. Arthur was the tenderest, most sympathetic, most loving soul I have ever met; nothing else would explain his influence. He was not demonstrative, and was often misunderstood. His tendency was to dissimulate the strongest of his feelings. Yet I have seen him turn red and pale at the sight of a letter in the handwriting of a friend he loved; I have seen him literally tremble with emotion when Edward Bruce, in his impulsive boyish way, would, with eager demonstrative affection, throw his arm round his neck, or take his hand. The tears gather in my eyes as I write, when I recall a few words of his a few days before he died, when he called me to him. It was after one of those terrible paroxysms of pain. He was very white and feeble, but smiling. He took my hand, and said, "What a wonderful thing it is that pain takes away one's power of thinking of anything except people. It hurries one away, somewhere, deep, deep down; yet one can bear to touch the bottom. But when loving anyone carries one away, one goes down deeper and deeper, and yet feels that there is a fathomless gulf beyond." End of the Project Gutenberg EBook of Memoirs of Arthur Hamilton, B. A. Of Trinity College, Cambridge, by Arthur Christopher Benson *** END OF THIS PROJECT GUTENBERG EBOOK MEMOIRS OF ARTHUR HAMILTON *** ***** This file should be named 16438.txt or 16438.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/6/4/3/16438/ Produced by Andrew Sly Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gute
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