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e one of the most comprehensive newspaper libraries in the country, I cannot forbear printing one of Field's choice bits at the expense of the occupants of this floor of the Daily News office. It has no title, but is supposed to be a soliloquy of Mr. Stone's: _I wish my men were more like Plumbe And not so much like me-- I hate to see the paper hum When it should stupid be. For when a lot of wit and rhyme Appears upon our pages, I know too well my men in time Will ask a raise in wages. I love to sit around and chin With folk of doubtful fame, But oh, it seems a dreadful sin When others do the same; For others gad to get the news To use in their profession, But anything I get I use For purpose of suppression._ Field's poetical license here does injustice to Mr. Stone, whose inquisitions generally concerned matters of public or political concern and whose practice of the editorial art of suppression was never exercised with any other motive than the public good or the sound discretion of the editor, who knew that the libel suits most to be feared were those where the truth about some scalawag was printed without having the affidavits in the vault and a double hitch on the witnesses. Up another long, narrow, dark stairway was the office of Mr. Ballantyne, the managing editor. He occupied what had been a rear hall bedroom, 7 x 10 feet. He was six feet two tall, and if he had not been of an orderly nature, there would not have been room in that back closet, with its one window and flat-topped desk, for his feet and the retriever, Snip--the only dog Field ever thoroughly detested. Ballantyne's room was evidently arranged to prevent any private conferences with the managing editor. It boasted a second chair, but when the visitor accepted the rare invitation to be seated, his knees prevented the closing of the door. The remainder of this floor of the centre building and the whole of the same floor of the next building south were taken up by the composing room. A door had been cut in the wall of the building to the north, just by Mr. Ballantyne's room, through which, and down three steps, was the space devoted to the editorial and reportorial staff of the Morning News. The front end of this space was partitioned off into three rooms, 7 x 12 feet each. Field claimed one of these boxes, the dramatic critic and solitary artist of the establishment one, and Morgan Bates
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