ference to my age, were somewhat above mediocrity_."
Happily he has preserved one of those wonderful productions of his
precocious boyhood, and our readers will judge for themselves what a
clever child it was.
Underneath a huge oak-tree,
There was of swine a huge company;
That grunted as they crunch'd the mast,
For that was ripe and fell full fast.
Then they trotted away for the wind grew high,
One acorn they left and no more might you spy.
It is a common remark, that wonderful children seldom perform the
promises of their youth, and undoubtedly this fine effusion has not been
followed in Mr. Coleridge's riper years by works of proportionate merit.
We see, then, that our author came very early into public notice; and
from that time to this, he has not allowed one year to pass without
endeavouring to extend his notoriety. His poems were soon followed (they
may have been preceded) by a tragedy, entitled, the "Fall of
Robespierre," a meagre performance, but one which, from the nature of
the subject, attracted considerable attention. He also wrote a whole
book, utterly incomprehensible to Mr. Southey, we are sure, on that
Poet's Joan of Arc; and became as celebrated for his metaphysical
absurdities, as his friend had become for the bright promise of genius
exhibited by that unequal, but spirited poem. He next published a Series
of political essays, entitled, the "Watchman," and "Conciones ad
Populum." He next started up, fresh from the schools of Germany, as the
principal writer in the Morning Post, a _strong opposition paper_. He
then published various outrageous political poems, some of them of a
gross personal nature. He afterwards assisted Mr. Wordsworth in planning
his Lyrical Ballads; and contributing several poems to that collection,
he shared in the notoriety of the Lake School. He next published a
mysterious periodical work, "The Friend," in which he declared it was
his intention to settle at once, and for ever, the principles of
morality, religion, taste, manners, and the fine arts, but which died of
a galloping consumption in the twenty-eighth week of its age. He then
published the tragedy of "Remorse," which dragged out a miserable
existence of twenty nights, on the boards of Drury-Lane, and then
expired for ever, like the oil of the orchestral lamps. He then forsook
the stage for the pulpit, and, by particular desire of his congregation,
published two "Lay Sermons." He then walked in broad da
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