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ference to my age, were somewhat above mediocrity_." Happily he has preserved one of those wonderful productions of his precocious boyhood, and our readers will judge for themselves what a clever child it was. Underneath a huge oak-tree, There was of swine a huge company; That grunted as they crunch'd the mast, For that was ripe and fell full fast. Then they trotted away for the wind grew high, One acorn they left and no more might you spy. It is a common remark, that wonderful children seldom perform the promises of their youth, and undoubtedly this fine effusion has not been followed in Mr. Coleridge's riper years by works of proportionate merit. We see, then, that our author came very early into public notice; and from that time to this, he has not allowed one year to pass without endeavouring to extend his notoriety. His poems were soon followed (they may have been preceded) by a tragedy, entitled, the "Fall of Robespierre," a meagre performance, but one which, from the nature of the subject, attracted considerable attention. He also wrote a whole book, utterly incomprehensible to Mr. Southey, we are sure, on that Poet's Joan of Arc; and became as celebrated for his metaphysical absurdities, as his friend had become for the bright promise of genius exhibited by that unequal, but spirited poem. He next published a Series of political essays, entitled, the "Watchman," and "Conciones ad Populum." He next started up, fresh from the schools of Germany, as the principal writer in the Morning Post, a _strong opposition paper_. He then published various outrageous political poems, some of them of a gross personal nature. He afterwards assisted Mr. Wordsworth in planning his Lyrical Ballads; and contributing several poems to that collection, he shared in the notoriety of the Lake School. He next published a mysterious periodical work, "The Friend," in which he declared it was his intention to settle at once, and for ever, the principles of morality, religion, taste, manners, and the fine arts, but which died of a galloping consumption in the twenty-eighth week of its age. He then published the tragedy of "Remorse," which dragged out a miserable existence of twenty nights, on the boards of Drury-Lane, and then expired for ever, like the oil of the orchestral lamps. He then forsook the stage for the pulpit, and, by particular desire of his congregation, published two "Lay Sermons." He then walked in broad da
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