l and the reformed Lowoods of the book--is pretty generally
known. Jane had lived there for eight years with 110 girls and fifteen
teachers. Why had she formed no friendships among them? Other orphans
have left the same and similar institutions, furnished with friends for
life, and puzzled with homes to choose from. How comes it that Jane had
acquired neither? Among that number of associates there were surely some
exceptions to what she so presumptuously stigmatises as "the society of
inferior minds." Of course it suited the author's end to represent the
heroine as utterly destitute of the common means of assistance, in order
to exhibit both her trials and her powers of self-support--the whole
book rests on this assumption--but it is one which, under the
circumstances, is very unnatural and very unjust.
Altogether the auto-biography of Jane Eyre is pre-eminently an
anti-Christian composition. There is throughout it a murmuring against the
comforts of the rich and against the privations of the poor, which, as
far as each individual is concerned, is a murmuring against God's
appointment--there is a proud and perpetual assertion of the rights of
man, for which we find no authority either in God's word or in God's
providence--there is that pervading tone of ungodly discontent which is
at once the most prominent and the most subtle evil which the law and
the pulpit, which all civilized society in fact has at the present day
to contend with. We do not hesitate to say that the tone of mind and
thought which has overthrown authority and violated every code human and
divine abroad, and fostered Chartism and rebellion at home, is the same
which has also written Jane Eyre.
Still we say again this is a very remarkable book. We are painfully
alive to the moral, religious, and literary deficiencies of the picture,
and such passages of beauty and power as we have quoted cannot redeem
it, but it is impossible not to be spell-bound with the freedom of the
touch. It would be mere hackneyed courtesy to call it "fine writing." It
bears no impress of being written at all, but is poured out rather in
the heat and hurry of an instinct, which flows ungovernably on to its
object, indifferent by what means it reaches it, and unconscious too. As
regards the author's chief object, however, it is a failure--that,
namely, of making a plain, odd woman, destitute of all the conventional
features of feminine attraction, interesting in our sight. We d
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