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oes produce them, from errors that must render it useless. Those who have most of the talent, however, commonly acquire this knowledge with the greatest facility;--and if Mr. Wordsworth, instead of confining himself almost entirely to the society of the dalesmen and cottagers, and little children, who form the subjects of his book, had condescended to mingle a little more with the people that were to read and judge of it, we cannot help thinking, that its texture would have been considerably improved: At least it appears to us to be absolutely impossible, that any one who had lived or mixed familiarly with men of literature and ordinary judgment in poetry (of course we exclude the coadjutors and disciples of his own school), could ever have fallen into such gross faults, or so long mistaken them for beauties. His first essays we looked upon in a good degree as poetical paradoxes,--maintained experimentally, in order to display talent, and court notoriety;--and so maintained, with no more serious belief in their truth, than is usually generated by an ingenious and animated defence of other paradoxes. But when we find, that he has been for twenty years exclusively employed upon articles of this very fabric, and that he has still enough of raw material on hand to keep him so employed for twenty years to come, we cannot refuse him the justice of believing that he is a sincere convert to his own system, and must ascribe the peculiarities of his composition, not to any transient affectation, or accidental caprice of imagination, but to a settled perversity of taste or understanding, which has been fostered, if not altogether created, by the circumstances to which we have already alluded. The volume before us, if we were to describe it very shortly, we should characterize as a tissue of moral and devotional ravings, in which innumerable changes are rung upon a few very simple and familiar ideas: --but with such an accompaniment of long words, long sentences, and unwieldy phrases--such a hubbub of strained raptures and fantastical sublimities, that it is often extremely difficult for the most skilful and attentive student to obtain a glimpse of the author's meaning--and altogether impossible for an ordinary reader to conjecture what he is about. Moral and religious enthusiasm, though undoubtedly poetical emotions, are at the same time but dangerous inspirers of poetry; nothing being so apt to run into interminable dulness or m
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