s opinions are in fact merely his tastes....

Now in the mind of Mr. Southey reason has no place at all, as either
leader or follower, as either sovereign or slave. He does not seem to
know what an argument is. He never uses arguments himself. He never
troubles himself to answer the arguments of his opponents. It has never
occurred to him, that a man ought to be able to give some better account
of the way in which he has arrived at his opinions than merely that it
is his will and pleasure to hold them. It has never occurred to him that
there is a difference between assertion and demonstration, that a rumour
does not always prove a fact, that a single fact, when proved, is hardly
foundation enough for a theory, that two contradictory propositions
cannot be undeniable truths, that to beg the question is not the way to
settle it, or that when an objection is raised, it ought to be met with
something more convincing than "scoundrel" and "blockhead."

It would be absurd to read the works of such a writer for political
instruction. The utmost that can be expected from any system promulgated
by him is that it may be splendid and affecting, that it may suggest
sublime and pleasing images. His scheme of philosophy is a mere
day-dream, a poetical creation, like the Domdaniel cavern, the Swerga,
or Padalon; and indeed it bears no inconsiderable resemblance to those
gorgeous visions. Like them, it has something of invention, grandeur,
and brilliancy. But, like them, it is grotesque and extravagant, and
perpetually violates even that conventional probability which is
essential to the effect of works of art.

The warmest admirers of Mr. Southey will scarcely, we think, deny that
his success has almost always borne an inverse proportion to the degree
in which his undertakings have required a logical head. His poems, taken
in the mass, stand far higher than his prose works. His official Odes,
indeed, among which the Vision of Judgement must be classed, are, for
the most part, worse than Pye's and as bad as Cibber's; nor do we think
him generally happy in short pieces. But his longer poems, though full
of faults, are nevertheless very extraordinary productions. We doubt
greatly whether they will be read fifty years hence; but that, if they
are read, they will be admired, we have no doubt whatever....

The extraordinary bitterness of spirit which Mr. Southey manifests
towards his opponents is, no doubt, in a great measure to be attribu