hariot wheels to drag him bound
Threatened, nor from the Holy one of Heavn
Refrain'd his tongue blasphemous; but anon
Down cloven to the waste, with shatter'd arms
And uncouth pain fled bellowing.--

It may be worth while to observe, that Milton has represented this
violent impetuous Spirit, who is hurried only by such precipitate
Passions, as the first that rises in that Assembly, to give his Opinion
upon their present Posture of Affairs. Accordingly he declares himself
abruptly for War, and appears incensed at his Companions, for losing so
much Time as even to deliberate upon it. All his Sentiments are Rash,
Audacious and Desperate. Such is that of arming themselves with their
Tortures, and turning their Punishments upon him who inflicted them.

--No, let us rather chuse,
Arm'd with Hell flames and fury, all at once
O'er Heavens high tow'rs to force resistless way,
Turning our tortures into horrid arms
Against the Torturer; when to meet the Noise
Of his almighty Engine he shall hear
Infernal Thunder, and for Lightning see
Black fire and horror shot with equal rage
Among his Angels; and his throne it self
Mixt with Tartarean Sulphur, and strange Fire,
His own invented Torments--

His preferring Annihilation to Shame or Misery, is also highly suitable
to his Character; as the Comfort he draws from their disturbing the
Peace of Heaven, that if it be not Victory it is Revenge, is a Sentiment
truly Diabolical, and becoming the Bitterness of this implacable Spirit.

Belial is described in the first Book, as the Idol of the Lewd and
Luxurious. He is in the Second Book, pursuant to that Description,
characterised as timorous and slothful; and if we look in the Sixth
Book, we find him celebrated in the Battel of Angels for nothing but
that scoffing Speech which he makes to Satan, on their supposed
Advantage over the Enemy. As his Appearance is uniform, and of a Piece,
in these three several Views, we find his Sentiments in the Infernal
Assembly every way conformable to his Character. Such are his
Apprehensions of a second Battel, his Horrors of Annihilation, his
preferring to be miserable rather than not to be. I need not observe,
that the Contrast of Thought in this Speech, and that which precedes it,
gives an agreeable Variety to the Debate.

Mammon's Character is so fully drawn in the First Book, that the Poet
adds nothing to it in the Second. We were before told, that he was the
first