losopher endeavours to palliate this Imperfection in the _Greek_
Poet, by imputing it in some measure to the very Nature of an Epic Poem.
Some have been of opinion, that the _AEneid_ [also labours [10]] in this
Particular, and has Episodes which may be looked upon as Excrescencies
rather than as Parts of the Action. On the contrary, the Poem, which we
have now under our Consideration, hath no other Episodes than such as
naturally arise from the Subject, and yet is filled with such a
Multitude of astonishing [Incidents,[11]] that it gives us at the same
time a Pleasure of the greatest Variety, and of the greatest
[Simplicity; uniform in its Nature, tho diversified in the Execution
[12]].

I must observe also, that as _Virgil_, in the Poem which was designed to
celebrate the Original of the _Roman_ Empire, has described the Birth of
its great Rival, the _Carthaginian_ Commonwealth: _Milton_, with the
like Art, in his Poem on the _Fall of Man_, has related the Fall of
those Angels who are his professed Enemies. Besides the many other
Beauties in such an Episode, its running parallel with the great Action
of the Poem hinders it from breaking the Unity so much as another
Episode would have done, that had not so great an Affinity with the
principal Subject. In short, this is the same kind of Beauty which the
Criticks admire in _The Spanish Frier_, or _The Double Discovery_ [13]
where the two different Plots look like Counter-parts and Copies of one
another.

The second Qualification required in the Action of an Epic Poem, is,
that it should be an _entire_ Action: An Action is entire when it is
complete in all its Parts; or, as _Aristotle_ describes it, when it
consists of a Beginning, a Middle, and an End. Nothing should go before
it, be intermixed with it, or follow after it, that is not related to
it. As on the contrary, no single Step should be omitted in that just
and regular Progress which it must be supposed to take from its Original
to its Consummation. Thus we see the Anger of _Achilles_ in its Birth,
its Continuance and Effects; and _AEneas's_ Settlement in _Italy_,
carried on thro all the Oppositions in his Way to it both by Sea and
Land. The Action in _Milton_ excels (I think) both the former in this
Particular; we see it contrived in Hell, executed upon Earth, and
punished by Heaven. The Parts of it are told in the most distinct
Manner, and grow out of one another in the most natural [Order [14]].

The third Qu