, the barbarians
retreated to Phalerum; and there, intercepted by the Aeginetans, were
pressed by them in the rear; by the Athenians, led by Themistocles, in
front. At this time the heroine Artemisia, pursued by that Aminias
whose vessel had first grappled with the Persians, and who of all the
Athenian captains was that day the most eminently distinguished, found
herself in the extremest danger. Against that remarkable woman the
efforts of the Athenians had been especially directed: deeming it a
disgrace to them to have an enemy in a woman, they had solemnly set a
reward of great amount upon her capture. Thus pursued, Artemisia had
recourse to a sudden and extraordinary artifice. Falling in with a
vessel of the Persians, commanded by a Calyndian prince, with whom she
had once been embroiled, she bore down against the ship and sunk it--a
truly feminine stratagem--deceiving at once a public enemy and
gratifying a private hatred. The Athenian, seeing the vessel he had
pursued thus attack a barbarian, conceived he had mistaken a friendly
vessel, probably a deserter from the Persians, for a foe, and
immediately sought new objects of assault. Xerxes beheld and admired
the prowess of Artemisia, deeming, in the confusion, that it was a
hostile vessel she had sunken. [88]
XVII. The battle lasted till the dusk of evening, when at length the
remnant of the barbarian fleet gained the port of Phalerum; and the
Greeks beheld along the Straits of Salamis no other vestige of the
enemy than the wrecks and corpses which were the evidence of his
defeat.
XVIII. When morning came, the Greeks awaited a renewal of the
engagement; for the Persian fleet were still numerous, the Persian
army yet covered the neighbouring shores, and, by a feint to conceal
his real purpose, Xerxes had ordered the Phoenician transports to be
joined together, as if to connect Salamis to the continent. But a
mandate was already issued for the instant departure of the navy for
the Hellespont, and a few days afterward the army itself retired into
Boeotia.
The victory of Salamis was celebrated by solemn rejoicings, in which,
principally remarkable for the beauty of his person, and his
accomplishments on the lyre and in the dance, was a youth named
Sophocles, destined afterward to share the glory of Aeschylus, who, no
less a warrior than a poet, distinguished himself in the battle, and
has bequeathed to us the most detailed and animated account we possess
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