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; then suddenly catching sight of the little bottle, smells at it] Bon Dieu! [At that queer sound they come from behind the screen--all four, and look. The dark night bird says: "Hallo; fainted!" ARNAUD holds out the bottle.] LANGUID LORD. [Taking it, and smelling] Good God! [The woman bends over CLARE, and lifts her hands; ARNAUD rushes to his service-table, and speaks into his tube] ARNAUD. The boss. Quick! [Looking up he sees the YOUNG MAN, returning] 'Monsieur, elle a fui! Elle est morte'! LANGUID LORD. [To the YOUNG MAN standing there aghast] What's this? Friend of yours? YOUNG MAN. My God! She was a lady. That's all I know about her. LANGUID LORD. A lady! [The blond and dark gentlemen have slipped from the room; and out of the supper-party's distant laughter comes suddenly a long, shrill: "Gone away!" And the sound of the horn playing the seven last notes of the old song: "This day a stag must die!" From the last note of all the sound flies up to an octave higher, sweet and thin, like a spirit passing, till it is drowned once more in laughter. The YOUNG MAN has covered his eyes with his hands; ARNAUD is crossing himself fervently; the LANGUID LORD stands gazing, with one of the dropped gardenias twisted in his fingers; and the woman, bending over CLARE, kisses her forehead.] CURTAIN. THE PIGEON A Fantasy in Three Acts PERSONS OF THE PLAY CHRISTOPHER WELLWYN, an artist ANN, his daughter GUINEVERE MEGAN, a flower-seller RORY MEGAN, her husband FERRAND, an alien TIMSON, once a cabman EDWARD BERTLEY, a Canon ALFRED CALWAY, a Professor SIR THOMAS HOXTON, a Justice of the Peace Also a police constable, three humble-men, and some curious persons The action passes in Wellwyn's Studio, and the street outside. ACT I. Christmas Eve. ACT II. New Year's Day. ACT III. The First of April. ACT I It is the night of Christmas Eve, the SCENE is a Studio, flush with the street, having a skylight darkened by a fall of snow. There is no one in the room, the walls of which are whitewashed, above a floor of bare dark boards. A fire is cheerfully burning. On a model's platform stands an easel and canvas. There are busts and pictures; a screen, a little stool, two arm. chairs, and a long old-fashioned settle under the window. A door in one wall
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