; then
suddenly catching sight of the little bottle, smells at it] Bon Dieu!
[At that queer sound they come from behind the screen--all four,
and look. The dark night bird says: "Hallo; fainted!" ARNAUD
holds out the bottle.]
LANGUID LORD. [Taking it, and smelling] Good God! [The woman bends
over CLARE, and lifts her hands; ARNAUD rushes to his service-table,
and speaks into his tube]
ARNAUD. The boss. Quick! [Looking up he sees the YOUNG MAN,
returning] 'Monsieur, elle a fui! Elle est morte'!
LANGUID LORD. [To the YOUNG MAN standing there aghast] What's this?
Friend of yours?
YOUNG MAN. My God! She was a lady. That's all I know about her.
LANGUID LORD. A lady!
[The blond and dark gentlemen have slipped from the room; and out
of the supper-party's distant laughter comes suddenly a long,
shrill: "Gone away!" And the sound of the horn playing the seven
last notes of the old song: "This day a stag must die!" From the
last note of all the sound flies up to an octave higher, sweet
and thin, like a spirit passing, till it is drowned once more in
laughter. The YOUNG MAN has covered his eyes with his hands;
ARNAUD is crossing himself fervently; the LANGUID LORD stands
gazing, with one of the dropped gardenias twisted in his
fingers; and the woman, bending over CLARE, kisses her forehead.]
CURTAIN.
THE PIGEON
A Fantasy in Three Acts
PERSONS OF THE PLAY
CHRISTOPHER WELLWYN, an artist
ANN, his daughter
GUINEVERE MEGAN, a flower-seller
RORY MEGAN, her husband
FERRAND, an alien
TIMSON, once a cabman
EDWARD BERTLEY, a Canon
ALFRED CALWAY, a Professor
SIR THOMAS HOXTON, a Justice of the Peace
Also a police constable, three humble-men, and some curious persons
The action passes in Wellwyn's Studio, and the street outside.
ACT I. Christmas Eve.
ACT II. New Year's Day.
ACT III. The First of April.
ACT I
It is the night of Christmas Eve, the SCENE is a Studio, flush
with the street, having a skylight darkened by a fall of snow.
There is no one in the room, the walls of which are whitewashed,
above a floor of bare dark boards. A fire is cheerfully
burning. On a model's platform stands an easel and canvas.
There are busts and pictures; a screen, a little stool, two arm.
chairs, and a long old-fashioned settle under the window. A
door in one wall
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