nt who's made a scandal in the village, old girl. Bill
come?

As they disappear from the hall, JOHN LATTER in a clergyman's
evening dress, comes sedately downstairs, a tall, rather pale
young man, with something in him, as it were, both of heaven,
and a drawing-room. He passes FREDA with a formal little nod.
HAROLD, a fresh-cheeked, cheery-looking youth, comes down, three
steps at a time.

HAROLD. Hallo, Freda! Patience on the monument. Let's have a
sniff! For Miss Lanfarne? Bill come down yet?

FREDA. No, Mr. Harold.

HAROLD crosses the hall, whistling, and follows LATTER into the
drawing-room. There is the sound of a scuffle above, and a
voice crying: "Shut up, Dot!" And JOAN comes down screwing her
head back. She is pretty and small, with large clinging eyes.

JOAN. Am I all right behind, Freda? That beast, Dot!

FREDA. Quite, Miss Joan.

DOT's face, like a full moon, appears over the upper banisters.
She too comes running down, a frank figure, with the face of a
rebel.

DOT. You little being!

JOAN. [Flying towards the drawing-roam, is overtaken at the door]
Oh! Dot! You're pinching!

As they disappear into the drawing-room, MABEL LANFARNE, a tall
girl with a rather charming Irish face, comes slowly down. And
at sight of her FREDA's whole figure becomes set and meaningfull.

FREDA. For you, Miss Lanfarne, from my lady.

MABEL. [In whose speech is a touch of wilful Irishry] How sweet!
[Fastening the roses] And how are you, Freda?

FREDA. Very well, thank you.

MABEL. And your father? Hope he's going to let me come out with the
guns again.

FREDA. [Stolidly] He'll be delighted, I'm sure.

MABEL. Ye-es! I haven't forgotten his face-last time.

FREDA. You stood with Mr. Bill. He's better to stand with than Mr.
Harold, or Captain Keith?

MABEL. He didn't touch a feather, that day.

FREDA. People don't when they're anxious to do their best.

A gong sounds. And MABEL LANFARNE, giving FREDA a rather
inquisitive stare, moves on to the drawing-room. Left alone
without the roses, FREDA still lingers. At the slamming of a
door above, and hasty footsteps, she shrinks back against the
stairs. BILL runs down, and comes on her suddenly. He is a
tall, good-looking edition of his father, with the same stubborn
look of veiled choler.

BILL. Freda! [And as sh