STINE. Great heavens!

JOAN. How awful!

CHRISTINE. I never thought of anything as bad as that.

JOAN. Oh! Chris! Something must be done!

DOT. [Suddenly to herself] Ha! When Father went up to have his
glove buttoned!

There is a sound, JACKSON has came in from the corridor.

JACKSON. [To Dot] If you please, Miss, Studdenham's brought up the
other two pups. He's just outside. Will you kindly take a look at
them, he says?

There is silence.

DOT. [Suddenly] We can't.

CHRISTINE. Not just now, Jackson.

JACKSON. Is Studdenham and the pups to wait, Mm?

DOT shakes her head violently. But STUDDENHAM is seen already
standing in the doorway, with a spaniel puppy in either
side-pocket. He comes in, and JACKSON stands waiting behind
him.

STUDDENHAM. This fellow's the best, Miss DOT. [He protrudes the
right-hand pocket] I was keeping him for my girl--a, proper greedy
one--takes after his father.

The girls stare at him in silence.

DOT. [Hastily] Thanks, Studdenham, I see.

STUDDENHAM. I won't take 'em out in here. They're rather bold yet.

CHRISTINE. [Desperately] No, no, of course.

STUDDENHAM. Then you think you'd like him, Miss DOT? The other's got
a white chest; she's a lady.

[He protrudes the left-hand pocket.]

DOT. Oh, yes! Studdenham; thanks, thanks awfully.

STUDDENHAM. Wonderful faithful creatures; follow you like a woman.
You can't shake 'em off anyhow. [He protrudes the right-hand pocket]
My girl, she'd set her heart on him, but she'll just have to do
without.

DOT. [As though galvanised] Oh! no, I can't take it away from her.

STUDDENHAM. Bless you, she won't mind! That's settled, then. [He
turns to the door. To the PUPPY] Ah! would you! Tryin' to wriggle
out of it! Regular young limb! [He goes out, followed by JACKSON.]

CHRISTINE. How ghastly!

DOT. [Suddenly catching sight of the book in her hand] "Caste!"
[She gives vent to a short sharp laugh.]

The curtain falls.

ACT III

It is five o'clock of the same day. The scene is the
smoking-room, with walls of Leander red, covered by old
steeplechase and hunting prints. Armchairs encircle a high
ferulered hearth, in which a fire is burning. The curtains are
not yet drawn across mullioned windows, but electric light is
burning. There are two doors, leading, t