FREE BOOKS

Author's List




PREV.   NEXT  
|<   3027   3028   3029   3030   3031   3032   3033   3034   3035   3036   3037   3038   3039   3040   3041   3042   3043   3044   3045   3046   3047   3048   3049   3050   3051  
3052   3053   3054   3055   3056   3057   3058   3059   3060   3061   3062   3063   3064   3065   3066   3067   3068   3069   3070   3071   3072   3073   3074   3075   3076   >>   >|  
fect us, and without even seeing at the moment how we are to get anything out of it, jars our consciences, jars that inner feeling which keeps secure and makes harmonious the whole concert of our lives, for we feel it to be a waste of time, dangerous to the community, contributing neither to our meat and drink, our clothes and comfort, nor to the stability and order of our lives. Of these three possible reasons for our dislike of things as they are, the first two are perhaps contained within the third. But, to whatever our dislike is due, we have it--Oh! we have it! With the possible exception of Hogarth in his non-preaching pictures, and Constable in his sketches of the sky,--I speak of dead men only,--have we produced any painter of reality like Manet or Millet, any writer like Flaubert or Maupassant, like Turgenev, or Tchekov. We are, I think, too deeply civilised, so deeply civilised that we have come to look on Nature as indecent. The acts and emotions of life undraped with ethics seem to us anathema. It has long been, and still is, the fashion among the intellectuals of the Continent to regard us as barbarians in most aesthetic matters. Ah! If they only knew how infinitely barbarous they seem to us in their naive contempt of our barbarism, and in what we regard as their infantine concern with things as they are. How far have we not gone past all that--we of the oldest settled Western country, who have so veneered our lives that we no longer know of what wood they are made! Whom generations have so soaked with the preserve "good form" that we are impervious to the claims and clamour of that ill-bred creature--life! Who think it either dreadful, or 'vieux jeu', that such things as the crude emotions and the raw struggles of Fate should be even mentioned, much less presented in terms of art! For whom an artist is 'suspect' if he is not, in his work, a sportsman and a gentleman? Who shake a solemn head over writers who will treat of sex; and, with the remark: "Worst of it is, there's so much truth in those fellows!" close the book. Ah! well! I suppose we have been too long familiar with the unprofitableness of speculation, have surrendered too definitely to action--to the material side of things, retaining for what relaxation our spirits may require, a habit of sentimental aspiration, carefully divorced from things as they are. We seem to have decided that things are not, or, if they are, ought not t
PREV.   NEXT  
|<   3027   3028   3029   3030   3031   3032   3033   3034   3035   3036   3037   3038   3039   3040   3041   3042   3043   3044   3045   3046   3047   3048   3049   3050   3051  
3052   3053   3054   3055   3056   3057   3058   3059   3060   3061   3062   3063   3064   3065   3066   3067   3068   3069   3070   3071   3072   3073   3074   3075   3076   >>   >|  



Top keywords:

things

 

deeply

 

dislike

 
civilised
 

emotions

 

regard

 

struggles

 
dreadful
 

creature

 

generations


Western

 
settled
 

country

 

veneered

 
oldest
 
longer
 

impervious

 

claims

 
clamour
 

preserve


soaked

 

suspect

 

surrendered

 

speculation

 

action

 

material

 
unprofitableness
 
familiar
 

fellows

 
suppose

retaining
 

relaxation

 

divorced

 

decided

 

carefully

 

aspiration

 

spirits

 

require

 
sentimental
 
artist

concern

 

mentioned

 

presented

 

sportsman

 
gentleman
 
remark
 

solemn

 

writers

 

stability

 

comfort