son responsible only to his own 'conscience'--it is amazingly,
triumphantly, successful.

Why, then, in a democratic State, is so valuable a protector of the will,
the interests, and pleasure of the majority not bestowed on other
branches of the public being? Opponents of the Censorship of Plays have
been led by the absence of such other Censorships to conclude that this
Office is an archaic survival, persisting into times that have outgrown
it. They have been known to allege that the reason of its survival is
simply the fact that Dramatic Authors, whose reputation and means of
livelihood it threatens, have ever been few in number and poorly
organised--that the reason, in short, is the helplessness and weakness of
the interests concerned. We must all combat with force such an aspersion
on our Legislature. Can it even for a second be supposed that a State
which gives trial by Jury to the meanest, poorest, most helpless of its
citizens, and concedes to the greatest criminals the right of appeal,
could have debarred a body of reputable men from the ordinary rights of
citizenship for so cynical a reason as that their numbers were small,
their interests unjoined, their protests feeble? Such a supposition were
intolerable! We do not in this country deprive a class of citizens of
their ordinary rights, we do not place their produce under the
irresponsible control of one not amenable to Law, by any sort of
political accident! That would indeed be to laugh at Justice in this
Kingdom! That would indeed be cynical and unsound! We must never admit
that there is no basic Justice controlling the edifice of our Civic
Rights. We do, we must, conclude that a just and well-considered
principle underlies this despotic Institution; for surely, else, it would
not be suffered to survive for a single moment! Pom! Pom!

If, then, the Censorship of Plays be just, beneficent, and based on a
well-considered principle, we must rightly inquire what good and logical
reason there is for the absence of Censorship in other departments of the
national life. If Censorship of the Drama be in the real interests of
the people, or at all events in what the Censor for the time being
conceives to be their interest--then Censorships of Art, Literature,
Religion, Science, and Politics are in the interests of the people,
unless it can be proved that there exists essential difference between
the Drama and these other branches of the public being. Let