caricature in reference to our position, called,
_John Bull Flourishing in an Attitude of Strict Neutrality_, wherein he
shows us Spain in the act of imploring his assistance, which, however,
poor John is in no position to render, seeing that he wants help
himself, being placed in the stocks and heavily burdened with the weight
of "last war's taxes." In the distance appears fat Louis, mounted on a
cannon, driven by the Pope, Russia, Austria, and Prussia, in allusion,
of course, to the "Holy Alliance" (the three latter powers had recalled
their ambassadors from Madrid on the 5th of January), while the devil
condescends to lend his assistance by pushing on behind. This caricature
is probably the best that Robert ever designed. Another satire on the
same subject bears the title of _King Gourmand XVIII. and Prince
Posterior in a Fright_.
HUGHES BALL.
One of Robert's satires of this year, entitled _The Golden Football_,
has obvious reference to Hughes Ball, known at Eton by his surname of
Hughes only, but who took the further name of _Ball_ on coming into a
fortune of forty thousand a year left him by his uncle, Admiral Sir
Alexander Ball, and thenceforth received his appropriate nickname of the
"Golden Ball." He was considered a great catch by all the mothers in
London; but, notwithstanding his money, was unfortunate in love, being
jilted by Lady Jane Paget, rejected by Miss Floyd (afterwards the wife
of Sir Robert Peel), and then by Lady Caroline Churchill. The young
ladies hearing of his numerous disappointments, were disinclined to
encourage a man so proverbially unfortunate. By way, perhaps, of
revenge, Hughes Ball this year ran off with and married Mademoiselle
Mercandotti, _premiere danseuse_ at His Majesty's Theatre, a beautiful
girl of sixteen, reported in the scandal of the day to be a natural
daughter of the Earl of Fife. The incident of Lady Jane Paget we have
mentioned is thus referred to by Charles Molloy Westmacott, the Ishmael
of the press of his day, in the _English Spy_, a work which, as we shall
presently see, was also illustrated by the artist:--
"Now, by my faith, it gives me pain
To see thee, cruel Lady J----,
Regret the _Golden Ball_.
'Tis useless now: 'The Fox and Grapes'
Remember, and avoid the apes
Which wait an old maids' fall."
Other of Robert's satires of the same year bear the title of _The
Commons versus the Crown of Martyrdom, or King Abraham's Coronation
D
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