FREE BOOKS

Author's List




PREV.   NEXT  
|<   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38  
39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   >>   >|  
I may mention as a help to those who do not feel strong enough for the direct method. At the same time it must be borne in mind that we can accustom ourselves to _any_ method; and the more dependent we become upon a single method, the less facility we shall have for working in any other. But for all that it is desirable to master _one_ method--that is, to be able to draw in line _freely_ in one way or another--and experience and practice alone will enable us to find the method most satisfactory. [The Oval and Rectangular Methods] [Illustration (f008): (human and horse forms)] [The Rectangular Method] This other method is to block in the principal masses of the forms we desire to represent by means of a series of ovals, as shown in the illustration, and when we have got the masses in their proper relations, to proceed to draw in the careful outline of the figure, or whatever it may be, upon this substructure of guiding lines, correcting as we go along. It would be quite possible to work on the same principle, but upon a structure of more or less rectangular masses. The real use of the method is to assist the student to get a grasp of the relation of the masses of a figure and a sense of structure in drawing; whether square or oval blocking in is used may be a matter of choice. It may be said for the oval forms that they resemble the contours of the structure in human and animal forms. If one had a tendency to round one's forms too much, it would be well to try the rectangular method to correct this, and _vice versa_. After a certain facility has been acquired in rendering form by means of line, we shall perceive further capacities of expression in its use, and begin to note how different characteristics of form and natural fact may be expressed by varying the quality of our outline. If we are drawing a plant or a flower, for instance, we should endeavour to show by the quality of our line the difference between the fine springing curves in the structure of the lily, the solid seed-centre and stiff radiation of the petals of the daisy, and the delicate silky folds of the poppy. [Quality of Line] [Illustration (f009): Lines of Characterization in the Form and Feature of Flowers: Lily and Poppy.] But, as leaves come before flowers, it would be best to begin w
PREV.   NEXT  
|<   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38  
39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   >>   >|  



Top keywords:

method

 

masses

 

structure

 

quality

 

Illustration

 

outline

 

Rectangular

 

figure

 

rectangular

 
facility

drawing
 

expression

 

capacities

 
animal
 

choice

 

matter

 
resemble
 

contours

 
acquired
 

correct


tendency
 

rendering

 

perceive

 

Quality

 

petals

 

delicate

 

Characterization

 

flowers

 

leaves

 

Feature


Flowers

 

radiation

 

flower

 
instance
 

varying

 

characteristics

 

natural

 
expressed
 

endeavour

 
centre

curves
 
springing
 

difference

 

freely

 

master

 

desirable

 

single

 

working

 
experience
 

practice