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, never-failing energy, of his gay jests and his humour. But upon reflection this unhappy feeling tallies very well with his character. It also proceeds from his general attitude of warding off. Even when in high spirits he considers himself in all respects an unhappy man. 'The most miserable of all men, the thrice-wretched Erasmus,' he calls himself in fine Greek terms. His life 'is an Iliad of calamities, a chain of misfortunes. How can anyone envy _me_?' To no one has Fortune been so constantly hostile as to him. She has sworn his destruction, thus he sang in his youth in a poetical complaint addressed to Gaguin: from earliest infancy the same sad and hard fate has been constantly pursuing him. Pandora's whole box seems to have been poured out over him. This unhappy feeling takes the special form of his having been charged by unlucky stars with Herculean labour, without profit or pleasure to himself:[16] troubles and vexations without end. His life might have been so much easier if he had taken his chances. He should never have left Italy; or he ought to have stayed in England. 'But an immoderate love of liberty caused me to wrestle long with faithless friends and inveterate poverty.' Elsewhere he says more resignedly: 'But we are driven by fate'. That immoderate love of liberty had indeed been as fate to him. He had always been the great seeker of quiet and liberty who found liberty late and quiet never. By no means ever to bind himself, to incur no obligations which might become fetters--again that fear of the entanglements of life. Thus he remained the great restless one. He was never truly satisfied with anything, least of all with what he produced himself. 'Why, then, do you overwhelm us with so many books', someone at Louvain objected, 'if you do not really approve of any of them?' And Erasmus answers with Horace's word: 'In the first place, because I cannot sleep'. A sleepless energy, it was that indeed. He cannot rest. Still half seasick and occupied with his trunks, he is already thinking about an answer to Dorp's letter, just received, censuring the _Moria_. We should fully realize what it means that time after time Erasmus, who, by nature, loved quiet and was fearful, and fond of comfort, cleanliness and good fare, undertakes troublesome and dangerous journeys, even voyages, which he detests, for the sake of his work and of that alone. He is not only restless, but also precipitate. Helped by an inc
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