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of the heroes of history he cannot be called. Was not his failure to attain to still loftier heights partly due to the fact that his character was not on a level with the elevation of his mind? And yet that character, a very complicated one, though he took himself to be the simplest man in the world, was determined by the same factors which determined the structure of his mind. Again and again we find in his inclinations the correlates of his convictions. At the root of his moral being we find--a key to the understanding of his character--that same profound need of purity which drove him to the sources of sacred science. Purity in the material and the moral sense is what he desires for himself and others, always and in all things. Few things revolt him so much as the practices of vintners who doctor wine and dealers who adulterate food. If he continually chastens his language and style, or exculpates himself from mistakes, it is the same impulse which prompts his passionate desire for cleanliness and brightness, of the home and of the body. He has a violent dislike of stuffy air and smelly substances. He regularly takes a roundabout way to avoid a malodorous lane; he loathes shambles and fishmongers' shops. Fetors spread infection, he thinks. Erasmus had, earlier than most people, antiseptic ideas about the danger of infection in the foul air of crowded inns, in the breath of confessants, in baptismal water. Throw aside common cups, he pleaded; let everybody shave himself, let us be cleanly as to bed-sheets, let us not kiss each other by way of greeting. The fear of the horrible venereal disease, imported into Europe during his lifetime, and of which Erasmus watched the unbridled propagation with solicitude, increases his desire for purity. Too little is being done to stop it, he thinks. He cautions against suspected inns; he wants to have measures taken against the marriages of syphilitic persons. In his undignified attitude towards Hutten his physical and moral aversion to the man's evil plays an unmistakable part. Erasmus is a delicate soul in all his fibres. His body forces him to be that. He is highly sensitive, among other things very susceptible to cold, 'the scholars' disorder', as he calls it. Early in life already the painful malady of the stone begins to torment him, which he resisted so bravely when his work was at stake. He always speaks in a coddling tone about his little body, which cannot stand fasti
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