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far surpassed by Edward Capell, who issued his edition in ten volumes in 1768. Unfortunately, the enormous labor Capell underwent did not bear its full fruit, for he suppressed much of his textual material in the interests of a well-printed page, and his preface and notes are written in a crabbed style that obscures the acuteness of his editorial intelligence. He elaborated stage directions, and carried farther the correction of disarranged meter; but, like most of his fellow-editors in that century, he did less than justice to his predecessors and was too indulgent to his own conjectures. This edition was supplemented by volumes of notes published in 1775 (1 vol.) and 1779-1783 (3 vols.). [Page Heading: Johnson and Capell] Before the publication of Capell's text, the antiquary George Steevens had issued in 1766 reprints of twenty of the early Quartos; and in 1773 he produced, in association with Johnson, an edition with a good text in which he benefited from Capell's labors (though he denies this). Through his knowledge of Elizabethan literature he made substantial contributions to the interpretation of difficult passages. He restored _Pericles_ to a place in the canon, but excluded the _Poems_, because "the strongest Act of Parliament that could be framed would fail to compel readers into their service." To the second edition of Johnson and Steevens's text (1778) Edmund Malone contributed his famous "Essay on the Chronology of Shakespeare's Plays," which began modern investigation of this subject. The third edition was revised in 1785 by Isaac Reed; and this was succeeded by the edition of Malone in 1790, in which the vast learning and conscientious care of that scholar combined to produce the most trustworthy text so far published. Malone was not brilliant, but he was extremely erudite and candid, and his so-called "Third Variorum" edition in twenty-one volumes, brought out after his death by James Boswell in 1821, is a mine of information on theatrical history and cognate matters, which will probably always be of value to students of the period. The name of "First Variorum Edition" is given to the fifth edition of Johnson and Steevens, revised by Reed in 1803, and "Second Variorum" to the sixth edition of the same, 1813. Meantime occasional critiques of complete editions contributed something to the text. Johnson's edition called forth comment by Kendrick in 1765 and Tyrwhitt in 1766, and the Johnson and Steevens
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