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vance with immediate dismissal. It must be said for Mrs. More that during her sisters' lifetime she had had nothing to do with the housekeeping; further, she was in very ill health, and had not been down stairs for seven years; but, with all the palliations that may be offered, is it not startling to find that this woman's influence had pervaded the civilized world with the exception of that little corner of it which was to be found under her own roof? This incident, together with the quarrel with Lactilla, suggests that Mrs. More did not exert _personally_ a very strong influence. In regard to her servants she relied upon the deathbed harangue with which Mrs. Martha had consigned her to their care, and her confidence was kept up by the texts of Scripture which they each night carefully repeated to her before retiring to eat her game. In the heyday of Hannah More's popularity there were living in Bristol or its vicinity three young men who were to bring in the new literary epoch by which Hannah has been forgotten--Coleridge, Southey and Wordsworth. Both Southey and Coleridge were introduced to Mrs. More by Cottle. Southey was invited to pass a day at Cowslip Green: he pleased equally all five of the sisters, and Hannah pronounced him "one of the most elegant and intellectual young men they had seen." In 1814, Cottle conferred a like favor on Coleridge: they went down to Barley Wood, where for the space of two hours Coleridge delighted the five-leaved clover with his brilliant talk, but, unluckily, a titled visitor coming in, the poor philosopher was left to finish his soliloquy alone. Southey was born in Bristol, at No. 9 Wine street, now the sign of the Golden Key. His father, a draper, carried on his business under the sign of a hare: although all his life a shopkeeper, he had been brought up in the country, and was passionately fond of country sports. He related of his first experience of city life in London that, happening to look out at the shop-door just as a porter was passing with a hare in his hands, it brought the country so vividly before him that he burst into tears, and the impression was so lasting that years after, when opening a shop in Bristol, he took the hare for a sign, having it painted on a pane in the window on each side of the door and printed on the shop-bills. Of Robert Southey's recollections of Bristol there is his own very charming account in the first volume of his _Life_ by his son. W
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