ded the translator for
corrupting the morals of her ladies by translating the most unedifying
passages, and banished him to his country seat until he should have
translated the whole poem. His most valuable work is one which was _pub._
in 1769 by a descendant, under the title of _Nugae Antiquae_ (Old-time
Trifles), a miscellaneous collection from his writings and papers,
containing many things of interest, _e.g._, a minute account of the
Queen's last illness, and letters and verses by her and other eminent
persons.
HARLAND, HENRY (1861-1905).--Novelist, _b._ of American parentage at St.
Petersburg, and _ed._ at Rome. Thereafter he went to Paris, and thence to
America, where he graduated at Harvard, and settled in New York. His
literary career falls into two distinctly marked sections, very diverse
in character. During the first of these he produced, under the pseudonym
of "Sidney Luska," a series of highly sensational novels, thrown off with
little regard to literary quality, and which it was his wish should be
forgotten; but about 1890 his aspirations underwent a complete change,
and he became an enthusiast in regard to style and the _mot propre_. The
first novels of this new era, _Mademoiselle Miss_ (1893), _Grey Roses_
(1895), and _Comedies and Errors_ (1898), though obtaining the approval
of the literary elect, had little general popularity; but the tide turned
with the appearance of _The Cardinal's Snuff-box_ (1900), which was
widely admired. It was followed by _The Lady Paramount_ (1901), and _My
Friend Prospero_ (1903). H. _d._ at San Remo after a prolonged illness.
HARRINGTON, JAMES (1611-1677).--Political theorist, _s._ of Sir Sapcotes
H., was _b._ at Upton, Northamptonshire, and _ed._ at Oxf., where he was
a pupil of Chillingworth. After leaving the university he travelled on
the Continent, visiting, among other places, The Hague and Venice, where
he imbibed republican principles. He was for some time a groom of the
bedchamber to Charles I. On the outbreak of the Civil War he sided with
the Parliament, but disapproved of the execution of the King, for whom he
appears, notwithstanding his political theories, to have cherished a
personal attachment. Thereafter he withdrew from active life, and devoted
himself to composing his political romance (as it may be called) of
_Oceana_, which he _pub._ in 1656, and in which Oceana represents
England, Marpesia Scotland, and Panopaea Ireland. In this work he
propoun
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