Whist, Junius, and _The Art of Dining_.
His _Select Correspondence_ appeared posthumously.

HAYWARD, SIR JOHN (1564?-1627).--Historian, _b._ at Felixstowe, was the
author of various historical works, the earliest of which, _The First
Part of the Life and Reign of King Henry IV._, was _pub._ in 1599, and
gave such offence to Queen Elizabeth that the author was imprisoned. He,
however, managed to ingratiate himself with James I. by supporting his
views of kingly prerogative. He also, at the request of Prince Henry,
wrote a _History of the three Norman Kings of England_ (William I.,
William II., and Henry I.) _The Life and Reign of Edward VI._ was _pub._
posthumously in 1630.

HAYWOOD, MRS. ELIZA (FOWLER) (1693-1756).--Dramatist and novelist, _b._
in London, was early _m._ to a Mr. H., but the union turning out
unhappily, she took to the stage, upon which she appeared in Dublin about
1715. She afterwards settled in London, and produced numerous plays and
novels, into which she introduced scandalous episodes regarding living
persons whose identity was very thinly veiled, a practice which, along
with her political satires, more than once involved her in trouble, and
together with certain attacks upon Pope, made in concert with Curll the
bookseller, procured for her a place in _The Dunciad_. Her enemies called
her reputation in question, but nothing very serious appears to have been
proved. She is repeatedly referred to by Steele, and has been doubtfully
identified with his "Sappho." Some of her works, such as _The History of
Jemmy and Jenny Jessamy_ had great popularity. Others were _The Fair
Captive_ (1721), _Idalia_ (1723), _Love in Excess_ (1724), _Memoirs of a
Certain Island adjacent to Utopia_ (anonymously) (1725), _Secret History
of Present Intrigues at the Court of Caramania_ (anonymously) (1727). She
also conducted _The Female Spectator_, and other papers.

HAZLITT, WILLIAM (1778-1830).--Essayist and critic, _b._ at Maidstone,
was the _s._ of a Unitarian minister. At his father's request he studied
for the ministry at a Unitarian Coll. at Hackney. His interests, however,
were much more philosophical and political than theological. The turning
point in his intellectual development was his meeting with Coleridge in
1798. Soon after this he studied art with the view of becoming a painter,
and devoted himself specially to portraiture, but though so good a judge
as his friend, J. Northcote, R.A., believed he had th