master of a certain house calls his servant Chokichi, who sits
dozing in the kitchen. "Here, Chokichi! The guests are all gone; come
and clear away the wine and fish in the back room."
Chokichi rubs his eyes, and with a sulky answer goes into the back
room, and, looking about him, sees all the nice things paraded on the
trays and in the bowls. It's wonderful how his drowsiness passes away:
no need for any one to hurry him now. His eyes glare with greed, as he
says, "Hullo! here's a lot of tempting things! There's only just one
help of that omelette left in the tray. What a hungry lot of guests!
What's this? It looks like fish rissoles;" and with this he picks out
one, and crams his mouth full; when, on one side, a mess of young
cuttlefish, in a Chinese[97] porcelain bowl, catches his eyes. There
the little beauties sit in a circle, like Buddhist priests in
religious meditation! "Oh, goodness! how nice!" and just as he is
dipping his finger and thumb in, he hears his master's footstep; and
knowing that he is doing wrong, he crams his prize into the pocket of
his sleeve, and stoops down to take away the wine-kettle and cups; and
as he does this, out tumble the cuttlefish from his sleeve. The master
sees it.
[Footnote 97: Curiosities, such as porcelain or enamel or carved jade
from China, are highly esteemed by the Japanese. A great quantity of
the porcelain of Japan is stamped with counterfeit Chinese marks of
the Ming dynasty.]
"What's that?"
Chokichi, pretending not to know what has happened, beats the mats,
and keeps on saying, "Come again the day before yesterday; come again
the day before yesterday."[98]
[Footnote 98: An incantation used to invite spiders, which are
considered unlucky by the superstitious, to come again at the Greek
Kalends.]
But it's no use his trying to persuade his master that the little
cuttlefish are spiders, for they are not the least like them. It's no
use hiding things,--they are sure to come to light; and so it is with
the heart,--its purposes will out. If the heart is enraged, the dark
veins stand out on the forehead; if the heart is grieved, tears rise
to the eyes; if the heart is joyous, dimples appear in the cheeks; if
the heart is merry, the face smiles: thus it is that the face reflects
the emotions of the heart. It is not because the eyes are filled with
tears that the heart is sad; nor because the veins stand out on the
forehead that the heart is enraged. It is the hea
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