same chapel with St.
Cecilia. As the chapel was cleared, a large arcosolium was found, and
near it a painting of a youthful woman, richly attired, adorned with
necklaces and bracelets, and the dress altogether such as might befit
a bride. Below, on the same wall, was a figure of a pope in his robes,
with the name "S[=e][=s] Urbanus" painted at the side: and close to this
figure, a large head of the Saviour, of the Byzantine type, with a glory
in the form of a Greek cross. The character of the paintings showed that
they were of comparatively late date, probably not earlier than the
sixth century, and obviously executed at a time when the chapel was
frequented by worshippers, and before the traditional knowledge of the
exact site of St. Cecilia's sepulchre had been lost.

The discovery made by Paschal after the place had been deserted was thus
repeated by De Rossi after a second, longer, and more obscure period of
oblivion. The divine vision which had led the ancient Pope, according
to his own account, to the right spot, was now replaced by scientific
investigation. The statements of inspiration were confirmed, as in so
many more conspicuous instances, by the discoveries of science. Cecilia
had lain so near the popes, that she might, as she had said to Paschal,
have spoken to him when he was in their chapel, _as ad as_, "mouth to
mouth." But the questions naturally arose, Why was it that in Paschal's
time, before this chapel was encumbered with earth, it had been so
difficult to find her grave? and, Why had not the Lombards, who had
sought for her sacred body, succeeded in finding it? De Rossi was
able to furnish the solution. In several instances he had found walls
carefully built up in front of tombs so as to conceal them. It was plain
that this must have been done with some definite purpose; and it seems
altogether likely that it was to hide these tombs from sacrilegious
invaders. The walls had been built when the faithful were forced by
the presence of their enemies to desert the catacombs and leave them
unprotected. It was a striking illustration of the veneration in which
these holy places had been held. Upon examination of the floor in front
of the areosolium of this chapel, traces of the foundation of a wall
were discovered, and thus the Lombard failure and Paschal's difficulty
were explained.

So ends the story of St Cecilia and her tomb. Within her church are the
remains of the bath-chamber where she suffered d