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, and went to bed thoughtful. Next morning, for breakfast, a dish of kippers and a dish of kidneys were placed on the table, side by side. Now the child loved kippers with an affection that amounted almost to passion, while she loathed kidneys worse than powders. It was the one subject on which she did know her own mind. "A kidney or a kipper for you, Jessie?" asked the mother, addressing the elder child first. Jessie hesitated for a moment, while her sister sat regarding her in an agony of suspense. "Kipper, please, ma," Jessie answered at last, and the younger child turned her head away to hide the tears. "You'll have a kipper, of course, Trixy?" said the mother, who had noticed nothing. "No, thank you, ma," said the small heroine, stifling a sob, and speaking in a dry, tremulous voice, "I'll have a kidney." "But I thought you couldn't bear kidneys," exclaimed her mother, surprised. "No, ma, I don't like 'em much." "And you're so fond of kippers!" "Yes, ma." "Well, then, why on earth don't you have one?" "'Cos Jessie's going to have one, and you told me to be original," and here the poor mite, reflecting upon the price her originality was going to cost her, burst into tears. * * * * * The other three of us refused to sacrifice ourselves upon the altar of Brown's originality. We decided to be content with the customary beautiful girl. "Good or bad?" queried Brown. "Bad," responded MacShaughnassy emphatically. "What do you say, Jephson?" "Well," replied Jephson, taking the pipe from between his lips, and speaking in that soothingly melancholy tone of voice that he never varies, whether telling a joke about a wedding or an anecdote relating to a funeral, "not altogether bad. Bad, with good instincts, the good instincts well under control." "I wonder why it is," murmured MacShaughnassy reflectively, "that bad people are so much more interesting than good." "I don't think the reason is very difficult to find," answered Jephson. "There's more uncertainty about them. They keep you more on the alert. It's like the difference between riding a well-broken, steady-going hack and a lively young colt with ideas of his own. The one is comfortable to travel on, but the other provides you with more exercise. If you start off with a thoroughly good woman for your heroine you give your story away in the first chapter. Everybody knows precisely how she will behave under every conce
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