poetry. He expected to burst upon the world like a new star. There was
something fine in keeping to himself these treasures of beauty all his
life and giving them to the world disdainfully when, he and the world
parting company, he had no further use for them.
His decision to come to England was caused directly by an announcement
from Leonard Upjohn that a publisher had consented to print the poems. By
a miracle of persuasion Upjohn had persuaded him to give ten pounds in
advance of royalties.
"In advance of royalties, mind you," said Cronshaw to Philip. "Milton only
got ten pounds down."
Upjohn had promised to write a signed article about them, and he would ask
his friends who reviewed to do their best. Cronshaw pretended to treat the
matter with detachment, but it was easy to see that he was delighted with
the thought of the stir he would make.
One day Philip went to dine by arrangement at the wretched eating-house at
which Cronshaw insisted on taking his meals, but Cronshaw did not appear.
Philip learned that he had not been there for three days. He got himself
something to eat and went round to the address from which Cronshaw had
first written to him. He had some difficulty in finding Hyde Street. It
was a street of dingy houses huddled together; many of the windows had
been broken and were clumsily repaired with strips of French newspaper;
the doors had not been painted for years; there were shabby little shops
on the ground floor, laundries, cobblers, stationers. Ragged children
played in the road, and an old barrel-organ was grinding out a vulgar
tune. Philip knocked at the door of Cronshaw's house (there was a shop of
cheap sweetstuffs at the bottom), and it was opened by an elderly
Frenchwoman in a dirty apron. Philip asked her if Cronshaw was in.
"Ah, yes, there is an Englishman who lives at the top, at the back. I
don't know if he's in. If you want him you had better go up and see."
The staircase was lit by one jet of gas. There was a revolting odour in
the house. When Philip was passing up a woman came out of a room on the
first floor, looked at him suspiciously, but made no remark. There were
three doors on the top landing. Philip knocked at one, and knocked again;
there was no reply; he tried the handle, but the door was locked. He
knocked at another door, got no answer, and tried the door again. It
opened. The room was dark.
"Who's that?"
He recognised Cronshaw's voice.
"Carey. Can I c
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