FREE BOOKS

Author's List




PREV.   NEXT  
|<   224   225   226   227   228   229   230   231   232   233   234   235   236   237   238   239   240   241   242   243   244   245   246   247   248  
249   250   251   252   253   254   255   256   257   258   259   260   261   262   263   264   265   266   267   268   269   270   271   272   273   >>   >|  
ence, which with occasional absences was their home for fourteen years. Mrs. Browning died there, at Casa Guidi, in June 1861. Browning left Florence some time afterward, and in spite of his later visits to Italy, never returned there. He lived again in London in the winter, but most of his summers were spent in France, and especially in Brittany. About 1878 he formed the habit of going to Venice for the autumn, which continued with rare exceptions to the end of his life. There in 1888 his son, recently married, had made his home; and there on the 12th of December, 1889, Robert Browning died. He was buried in Westminster Abbey on the last day of the year. [Illustration: ROBERT BROWNING.] 'Pauline, a Fragment of a Confession,' Browning's first published poem, was a psychological self-analysis, perfectly characteristic of the time of life at which he wrote it,--very young, full of excesses of mood, of real exultation, and somewhat less real depression--the "confession" of a poet of twenty-one, intensely interested in the ever-new discovery of his own nature, its possibilities, and its relations. It rings very true, and has no decadent touch in it:-- "I am made up of an intensest life ... a principle of restlessness Which would be all, have, see, know, taste, feel, all--" this is the note that stays in the reader's mind. But the poem is psychologically rather than poetically noteworthy--except as all beginnings are so; and Browning's statement in a note in his collected poems that he "acknowledged and retained it with extreme repugnance," shows how fully he recognized this. In 'Paracelsus,' his next long poem, published some two years later, the strength of his later work is first definitely felt. Taking for theme the life of the sixteenth-century physician, astrologer, alchemist, conjuror,--compound of Faust and Cagliostro, mixture of truth-seeker, charlatan, and dreamer,--Browning makes of it the history of the soul of a feverish aspirant after the finality of intellectual power, the knowledge which should be for man the key to the universe; the tragedy of its failure, and the greater tragedy of its discovery of the barrenness of the effort, and the omission from its scheme of life of an element without which power was impotent. "Yet, constituted thus and thus endowed, I failed; I gazed on power till I grew blind. Power--I could not take my eyes from that; That only I tho
PREV.   NEXT  
|<   224   225   226   227   228   229   230   231   232   233   234   235   236   237   238   239   240   241   242   243   244   245   246   247   248  
249   250   251   252   253   254   255   256   257   258   259   260   261   262   263   264   265   266   267   268   269   270   271   272   273   >>   >|  



Top keywords:

Browning

 

published

 

tragedy

 

discovery

 
recognized
 
repugnance
 

strength

 

Paracelsus

 

reader

 

psychologically


poetically

 
collected
 

acknowledged

 

retained

 
statement
 

noteworthy

 
beginnings
 
extreme
 
mixture
 

impotent


constituted

 

endowed

 
element
 

scheme

 

greater

 
failure
 

barrenness

 

effort

 
omission
 
failed

universe
 

compound

 
Cagliostro
 
seeker
 

conjuror

 

alchemist

 

sixteenth

 

century

 
physician
 

astrologer


charlatan

 
dreamer
 

intellectual

 

finality

 

knowledge

 

aspirant

 

history

 

feverish

 

Taking

 

Venice