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which his enemies made use of to deny his talent. "High art is at a low ebb," said his friend Pierre Grassou, who made daubs to suit the taste of the bourgeoisie, in whose _appartements_ fine paintings were at a discount. "You ought to have a whole cathedral to decorate; that's what you want," declared Schinner; "then you would silence criticism with a master-stroke." Such speeches, which alarmed the good Agathe, only corroborated the judgment she had long since formed upon Philippe and Joseph. Facts sustained that judgment in the mind of a woman who had never ceased to be a provincial. Philippe, her favorite child, was he not the great man of the family at last? in his early errors she saw only the ebullitions of youth. Joseph, to the merit of whose productions she was insensible, for she saw them too long in process of gestation to admire them when finished, seemed to her no more advanced in 1828 than he was in 1816. Poor Joseph owed money, and was bowed down by the burden of debt; he had chosen, she felt, a worthless career that made him no return. She could not conceive why they had given him the cross of the Legion of honor. Philippe, on the other hand, rich enough to cease gambling, a guest at the fetes of _Madame_, the brilliant colonel who at all reviews and in all processions appeared before her eyes in splendid uniforms, with his two crosses on his breast, realized all her maternal dreams. One such day of public ceremony effaced from Agathe's mind the horrible sight of Philippe's misery on the Quai de l'Ecole; on that day he passed his mother at the self-same spot, in attendance on the Dauphin, with plumes in his shako, and his pelisse gorgeous with gold and fur. Agathe, who to her artist son was now a sort of devoted gray sister, felt herself the mother of none but the dashing aide-de-camp to his Royal Highness, the Dauphin of France. Proud of Philippe, she felt he made the ease and happiness of her life,--forgetting that the lottery-office, by which she was enabled to live at all, came through Joseph. One day Agathe noticed that her poor artist was more worried than usual by the bill of his color-man, and she determined, though cursing his profession in her heart, to free him from his debts. The poor woman kept the house with the proceeds of her office, and took care never to ask Joseph for a farthing. Consequently she had no money of her own; but she relied on Philippe's good heart and well-filled
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