ch to be pitied. I have had the honor to
explain my position to Madame la Dauphine. At the time of the
marriage, it was a question of saving to the family a million of
francs which my uncle had left by will to that person. Happily, my
wife took to drinking; at her death, I come into possession of that
million, which is now in the hands of Mongenod and Sons. I have thirty
thousand francs a year in the five per cents, and my landed property,
which is entailed, brings me in forty thousand more. If, as I am led
to suppose, Monsieur de Soulanges gets a marshal's baton, I am on the
high-road with my title of Comte de Brambourg, to becoming general and
peer of France. That will be the proper end of an aide-de-camp of the
Dauphin."

After the Salon of 1823, one of the leading painters of the day, a
most excellent man, obtained the management of a lottery-office near
the Markets, for the mother of Joseph Bridau. Agathe was fortunately
able, soon after, to exchange it on equal terms with the incumbent of
another office, situated in the rue de Seine, in a house where Joseph
was able to have his atelier. The widow now hired an agent herself,
and was no longer an expense to her son. And yet, as late as 1828,
though she was the directress of an excellent office which she owed
entirely to Joseph's fame, Madame Bridau still had no belief in that
fame, which was hotly contested, as all true glory ever will be. The
great painter, struggling with his genius, had enormous wants; he did
not earn enough to pay for the luxuries which his relations to
society, and his distinguished position in the young School of Art
demanded. Though powerfully sustained by his friends of the Cenacle
and by Mademoiselle des Touches, he did not please the Bourgeois. That
being, from whom comes the money of these days, never unties its
purse-strings for genius that is called in question; unfortunately,
Joseph had the classics and the Institute, and the critics who cry up
those two powers, against him. The brave artist, though backed by Gros
and Gerard, by whose influence he was decorated after the Salon of
1827, obtained few orders. If the ministry of the interior and the
King's household were with difficulty induced to buy some of his
greatest pictures, the shopkeepers and the rich foreigners noticed
them still less. Moreover, Joseph gave way rather too much, as we must
all acknowledge, to imaginative fancies, and that produced a certain
inequality in his work