s sent to Samos as a
present to Polykrates. In Memphis I saw a statue said to be about three
thousand years old, and to represent a king who built the great Pyramid,
which excited my admiration in every respect. With what certainty and
precision that unusually hard stone has been wrought! the muscles, how
carefully carved! especially in the breast, legs and feet; the harmony of
the features too, and, above all, the polish of the whole, leave nothing
to be desired."

"Unquestionably. In all the mechanism of art, such as precision and
certainty in working even the hardest materials, the Egyptians, though
they have so long stood still in other points, are still far before us;
but to model form with freedom, to breathe, like Prometheus, a soul into
the stone, they will never learn until their old notions on this subject
have been entirely abandoned. Even the pleasing varieties of corporeal
life cannot be represented by a system of mere proportions, much less
those which are inner and spiritual. Look at the countless statues which
have been erected during the last three thousand years, in all the
temples and palaces from Naukratis up to the Cataracts. They are all of
one type, and represent men of middle age, with grave but benevolent
countenances. Yet they are intended, some as statues of aged monarchs,
others to perpetuate the memory of young princes. The warrior and the
lawgiver, the blood-thirsty tyrant and the philanthropist are only
distinguished from each other by a difference in size, by which the
Egyptian sculptor expresses the idea of power and strength. Amasis orders
a statue just as I should a sword. Breadth and length being specified, we
both of us know quite well, before the master has begun his work, what we
shall receive when it is finished. How could I possibly fashion an infirm
old man like an eager youth? a pugilist like a runner in the foot-race? a
poet like a warrior? Put Ibykus and our Spartan friend side by side, and
tell me what you would say, were I to give to the stern warrior the
gentle features and gestures of our heart-ensnaring poet."

"Well, and how does Amasis answer your remarks on this stagnation in
art?"

"He deplores it; but does not feel himself strong enough to abolish the
restrictive laws of the priests."

"And yet," said the Delphian, "he has given a large sum towards the
embellishment of our new temple, expressly, (I use his own words) for the
promotion of Hellenic art!"

"That