y much surprise me, for I
had not forgotten my conversation with the King of Naples in the Champs
Elysees, with which I have made the reader acquainted. At first Murat's
defection was thought incredible by every one, and it highly excited
Bonaparte's indignation. Another defection which occurred about the same
period deeply distressed Eugene, for although raised to the rank of a
prince, and almost a sovereign, he was still a man, and an excellent man.
He was united to the Princess Amelia of Bavaria, who was as amiable and
as much beloved as he, and he had the deep mortification to count the
subjects of his father-in-law among the enemies whom he would probably
have to combat. Fearing lest he should be harassed by the Bavarians on
the side of the Tyrol, Eugene commenced his retrograde movement in the
autumn of 1813. He at first fell back on the Tagliamento, and
successively on the Adige. On reaching that river the army of Italy was
considerably diminished, in spite of all Eugene's care of his troops.
About the end of November Eugene learned that a Neapolitan corps was
advancing upon Upper Italy, part taking the direction of Rome, and part
that of Ancona. The object of the King of Naples was to take advantage
of the situation of Europe, and he was duped by the promises held out to
him as the reward of his treason. Murat seemed to have adopted the
artful policy of Austria; for not only had he determined to join the
coalition, but he was even maintaining communications with England and
Austria, while at the same time he was making protestations of fidelity
to his engagements with Napoleon.

When first informed of Murat's treason by the Viceroy the Emperor refused
to believe it. "No," he exclaimed to those about him, "it cannot be!
Murat, to whom I have given my sister! Murat, to whom I have given a
throne! Eugene must be misinformed. It is impossible that Murat has
declared himself against me!" It was, however, not only possible but
true. Gradually throwing aside the dissimulation beneath which he had
concealed his designs, Murat seemed inclined to renew the policy of Italy
during the fifteenth and sixteenth centuries, when the art of deceiving
was deemed by the Italian Governments the most sublime effort of genius.
Without any declaration of war, Murat ordered the Neapolitan General who
occupied Rome to assume the supreme command in the Roman States, and to
take possession of the country. General Miollis, who commanded the