pear
and enjoy the reception so justly their due.' The dinner was
served: one of the turbots relieved the soup. Delight was on every
face--it was the moment of the 'eprouvette positive'. The 'maitre
a'hotel' advances; two attendants raise the turbot and carry him off
to cut him up; but one of them loses his equilibrium: the attendants
and the turbot roll together on the floor. At this sad sight the
assembled Cardinals became as pale as death, and a solemn silence
reigned in the 'conclave'--it was the moment of the 'eprouvette
negative'; but the 'maitre a'hotel' suddenly turns to one of the
attendants, Bring another turbot,' said he, with the most perfect
coolness. The second appeared, and the eprouvette positive was
gloriously renewed." (Hayward's Art of Dining, P. 65.)]--

The First Consul prided himself a good deal on his triumph, at least in
appearance, over the scruples which the persons who surrounded him had
manifested against the re-establishment of worship. He read with much
self-satisfaction the reports made to him, in which it was stated that
the churches were well frequented: Indeed, throughout the year 1802, all
his attention wad directed to the reformation of manners, which had
become more dissolute under the Directory than even during the Reign of
Terror.

In his march of usurpation the First Consul let slip no opportunity of
endeavouring to obtain at the same time the admiration of the multitude
and the approbation of judicious men. He was very fond of the arts, and
was sensible that the promotion of industry ought to be the peculiar care
of the head of the Government. It must, however, at the same time be
owned that he rendered the influence of his protection null and void by
the continual violations he committed on that liberty which is the
animating principle of all improvement.

During the supplementary days of the year X., that is to say, about the
beginning of the autumn of 1802, there was held at the Louvre an
exhibition of the products of industry. The First Consul visited the
exhibition, and as even at that period he had begun to attribute every
good result to himself, he seemed proud of the high degree of perfection
the manufacturing arts had attained in France. He was, above all,
delighted with the admiration this exhibition excited among the numerous
foreigners who resorted to Paris during the peace.

In fact, throughout the year 1802 the capital present