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ught not to pit themselves against the unhappy prisoner. Why not take a man of their own size? For true amusement Mr. Charles Chaplin or Mr. Leslie Henson could give them sixty in a hundred. I even think I could myself. One final judgment, however, might with due caution be hazarded. I do not think that, on the whole, the English are quite as fond of humour as we are. I mean they are not so willing to welcome at all times the humorous point of view as we are in America. The English are a serious people, with many serious things to think of--football, horse racing, dogs, fish, and many other concerns that demand much national thought: they have so many national preoccupations of this kind that they have less need for jokes than we have. They have higher things to talk about, whereas on our side of the water, except when the World's Series is being played, we have few, if any, truly national topics. And yet I know that many people in England would exactly reverse this last judgment and say that the Americans are a desperately serious people. That in a sense is true. Any American who takes up with an idea such as New Thought, Psychoanalysis or Eating Sawdust, or any "uplift" of the kind becomes desperately lopsided in his seriousness, and as a very large number of us cultivate New Thought, or practise breathing exercises, or eat sawdust, no doubt the English visitors think us a desperate lot. Anyway, it's an ill business to criticise another people's shortcomings. What I said at the start was that the British are just as humorous as are the Americans, or the Canadians, or any of us across the Atlantic, and for greater Certainty I repeat it at the end. End of Project Gutenberg's My Discovery of England, by Stephen Leacock *** END OF THIS PROJECT GUTENBERG EBOOK MY DISCOVERY OF ENGLAND *** ***** This file should be named 3532.txt or 3532.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/5/3/3532/ Produced by Gardner Buchanan, and The Distributed Proofers Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of U
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