and when summoned by irony remained at a distance.
"It is true, Emilio, you have never seen me angry," he continued,
reverting to the remark of Artois; "you ought to. Till you have seen a
Panacci angry you do not really know him. With you, of course, I could
never be angry--never, never. You are my friend, my comrade. To you I
tell everything."
A sudden remembrance seemed to come to him. Evidently a new thought had
started into his active mind, for his face suddenly changed, and became
serious, even sentimental.
"What is it?" asked Artois.
"To-day, just now in the sea, I have seen a girl--Madonna! Emilio, she
had a little nose that was perfect--perfect. How she was simpatica! What
a beautiful girl!"
His whole face assumed a melting expression, and he pursed his lips in
the form of a kiss.
"She was in the sea, too?" asked Artois.
"No. If she had been! But I was with papa. It was just after we had been
serenading you. She had heard us, I am sure, for she was laughing. I
dived under the boat in which she was. I did all my tricks for her. I
did the mermaid and the seal. She was delighted. She never took her eyes
from me. As to papa--she never glanced at him. Poor papa! He was angry.
She had her mother with her, I think--a Signora, tall, flat, ugly, but
she was simpatica, too. She had nice eyes, and when I did the seal she
could not help laughing, though I think she was rather sad."
"What sort of boat were they in?" Artois asked, with sudden interest.
"A white boat with a green line."
"And they were coming from the direction of Posilipo?"
"Ma si! Emilio, do you know them? Do you know the perfect little nose?"
The Marchesino laid one hand eagerly on the arm of his friend.
"I believe you do! I am sure of it! The mother--she is flat as
a Carabiniere, and quite old, but with nice eyes, sympathetic,
intelligent. And the girl is a little brown--from the sun--with eyes
full of fun and fire, dark eyes. She may be Italian, and yet--there is
something English, too. But she is not blonde, she is not cold. And
when she laughs! Her teeth are not like the keys of a piano from
Bordicelli's. And she is full of passion, of flame, of sentiment, as
I am. And she is young, perhaps sixteen. Do you know her? Present me,
Emilio! I have presented you to all my friends."
"Mio caro, you have made me your debtor for life."
"It isn't true!"
"Indeed it is true. But I do not know who these ladies are. They may be
Ital
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