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The Project Gutenberg EBook of Poems of Emile Verhaeren, by Emile Verhaeren This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Poems of Emile Verhaeren Author: Emile Verhaeren Illustrator: John S. Sargent Translator: Alma Strettell Release Date: September 21, 2010 [EBook #33792] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK POEMS OF EMILE VERHAEREN *** Produced by Marc D'Hooghe at http://www.freeliterature.org POEMS OF EMILE VERHAEREN. SELECTED AND RENDERED INTO ENGLISH BY ALMA STRETTELL. JOHN LANE THE BODLEY HEAD LONDON & NEW YORK 1915. INDEX INTRODUCTORY NOTE From "LES VILLAGES ILLUSOIRES" RAIN THE FERRYMAN THE SILENCE THE BELL-RINGER SNOW THE GRAVE-DIGGER THE WIND THE FISHERMEN THE ROPE-MAKER From "LES HEURES CLAIRES" I. VIII. XVII. XXI. From "LES APPARUS DANS MES CHEMINS" ST. GEORGE THE GARDENS SHE OF THE GARDEN From "LA MULTIPLE SPLENDEUR" THE GLORY OF HEAVENS LIFE JOY INTRODUCTORY NOTE. Emile Verhaeren, remarkable among of the brilliant group of writers representing "Young Belgium," and one who has been recognized by the literary world of France as holding a foremost place among the lyric poets of the day was born at St. Amand, near Antwerp, in 1855. His childhood was passed on the banks of the Scheldt, in the midst of the wide-spreading Flemish plains, a country of mist and flood, of dykes and marshes, and the impressions he received from the mysterious, melancholy character of these surroundings, have produced a marked and lasting influence upon his work. Yet the other characteristics with which it is stamped--the wealth of imagination, the gloomy force, the wonderful descriptive power and sense of colour, which set the landscape before one as a picture, suggest rather the possibility of Spanish blood in the poet's veins--and again, his somewhat morbid subjectivity and tendency to self-analysis mark him as the child of the latter end of our nineteenth century. Verhaeren entered early in life upon the literary career. After some time spent at a college in Ghent, he became a student at the University of Louvain, and here he founded and edited a jou
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