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le and took the instrument from its place. "You won her for me; you have brought happiness and sunshine into my life. No! No! I can not, will not give you up," then placing the violin and bow in its case he locked it. The day was breaking. In an hour the baker's boy came. Diotti went to the door, gave him a note addressed to Mr. Wallace and asked him to deliver it at once. The boy consented and drove rapidly away. Within an hour Mr. Wallace arrived; Diotti told the story of the night. After the undertaker had taken charge of the body he found on the dead man's neck, just to the left of the chin, a dullish, black bruise which might have been caused by the pressing of some blunt instrument, or by a man's thumb. Considering it of much importance, he notified the coroner, who ordered an inquest. At six o'clock that evening a jury was impaneled, and two hours later its verdict was reported. XIII On leaving the house of the dead man Diotti walked wearily to his hotel. In flaring type at every street corner he saw the announcement for Thursday evening, March thirty-first, of Angelo Diotti's last appearance: "To-night I play for the last time," he murmured in a voice filled with deepest regret. The feeling of exultation so common to artists who finally reach the goal of their ambition was wanting in Diotti this morning. He could not rid himself of the memory of Sanders' tragic death. The figure of the old man clutching the violin and staring with glassy eyes into the dying fire would not away. When he reached the hotel he tried to rest, but his excited brain banished every thought of slumber. Restlessly he moved about the room, and finally dressing, he left the hotel for his daily call on Mildred. It was after five o'clock when he arrived. She received him coldly and without any mark of affection. She had heard of Mr. Sanders' death; her father had sent word. "It shocked me greatly," she said; "but perhaps the old man is happier in a world far from strife and care. When we realize all the misery there is in this world we often wonder why we should care to live." Her tone was despondent, her face was drawn and blanched, and her eyes gave evidence of weeping. Diotti divined that something beyond sympathy for old Sanders' sudden death racked her soul. He went toward her and lovingly taking her hands, bent low and pressed his lips to them; they were cold as marble. "Darling," he said; "something has ma
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