FREE BOOKS

Author's List




PREV.   NEXT  
|<   516   517   518   519   520   521   522   523   524   525   526   527   528   529   530   531   532   533   534   535   536   537   538   539   540  
541   542   543   544   545   546   547   548   549   550   551   552   553   554   555   556   >>  
ltar. I was much struck at the ingenious contrivance. If, gentle reader, you are in the least acquainted with the noble art of painting, you will once know, without further explanation, the use of the net, the shadow of which Berthold was sketching. Berthold was about to paint a projecting altar on the niche, and that he might make a large copy of the small drawing with due correctness, he was obliged to put a net, in the usual manner, over both the sketch and the surface on which the sketch was to be completed. In this instance he had to paint not on a flat surface but on a semicircular one; and the correspondence of the squares which the curved lines of the net formed on the concave surface, with the straight ones of the sketch, together with accuracy in the architectural proportions which were to be brought forward in perspective, could not be otherwise obtained than by that simple and ingenious contrivance. I was cautious enough not to step before the taper, lest I might betray myself by my shadow, but I stood near enough to his side to observe the painter closely. He appeared to me quite another man. Perhaps it was the effect of the taper, but his face had a good colour, his eyes sparkled with internal satisfaction, and when he had completed the lines he placed himself before the screen, with his hands resting on his sides, and looking at his work, whistled a merry tune. He now turned round, and tore down the net. Suddenly he was struck by my figure, and cried aloud: "Halloah! halloah! is that you, Christian?" I went up to him, explained how I had been attracted into the church, and praising the ingenious contrivance of the net, gave him to understand that I was but a connoisseur and practiser of the noble art of painting. Without making me any further answer, Berthold said: "Christian is neither more nor less than a sluggard. He was to have kept with me faithfully through the whole night, and now he is certainly snoring somewhere! I must get on with my work, for probably it will be bad to paint here on the screen to-morrow--and yet I can do nothing by myself." I offered my assistance, upon which he laughed aloud, laid hold of both my shoulders, and cried: "That is a capital joke! What will Christian say, when he finds to-morrow that he is an ass, and that I have done without him? So, come hither, stranger, help me to build a little." He lit several tapers, we ran through the church, pulled
PREV.   NEXT  
|<   516   517   518   519   520   521   522   523   524   525   526   527   528   529   530   531   532   533   534   535   536   537   538   539   540  
541   542   543   544   545   546   547   548   549   550   551   552   553   554   555   556   >>  



Top keywords:

surface

 

Berthold

 

sketch

 
ingenious
 
Christian
 

contrivance

 
painting
 

completed

 

morrow

 

struck


church
 

shadow

 

screen

 

making

 

Without

 
answer
 

figure

 

Halloah

 

halloah

 
Suddenly

turned

 
understand
 

connoisseur

 

praising

 

explained

 

attracted

 

practiser

 
capital
 

tapers

 

pulled


stranger

 

shoulders

 

snoring

 

sluggard

 

faithfully

 

assistance

 

laughed

 

offered

 

instance

 

gentle


manner

 

semicircular

 

concave

 

straight

 

formed

 

curved

 
correspondence
 

squares

 

obliged

 

correctness